从头到尾的故事

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Andreas Berger
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引用次数: 0

摘要

在根根巴赫著名的狂欢剧《诺尔哈特》(1517)中,十个人物与诺尔哈特、梅托迪乌斯、布吉塔和西比拉四位先知讨论他们的未来。几十年来,这部戏剧,它的主角,尤其是它的预言和末日主题一直是学术界感兴趣的主题,但在戏剧结尾进入舞台的犹太人在很大程度上缺席了研究。本文着重分析了这一差距,认为根根巴赫不仅利用犹太人再现了反犹情绪和刻板印象,而且还将他作为戏剧中的第五个先知引入。如果基督徒不能认识到世界末日的迹象,并采取相应的行动,犹太人的过去和现在——正如根根巴赫的《犹太人》所描绘的那样——将成为一个充满囚禁、死亡、损失和遗弃的基督教未来。因此,《德·诺哈特》是根根巴赫如何通过犹太人的过去建立现在和未来的一个杰出例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Geschichte von ihrem Ende her denken
Abstract In Pamphilus Gengenbach’s famous carnival play Der Nollhart (1517), ten characters discuss their future with four prophets: Nollhart, Methodius, Birgitta, and Sibylla. The play, its protagonists, and especially its prognostic and apocalyptic motifs have been the subject of scholarly interest for decades, but the Jew who enters the stage at the end of the play has been largely absent from research. This article focuses on this gap and argues that Gengenbach not only used the Jew to reproduce anti-Jewish sentiments and stereotypes, but also introduced him as a fifth prophet in the play. If Christians failed to recognize the signs of the end of days and act accordingly, the Jewish past and present – as depicted by Gengenbach’s Jew – would become a Christian future filled with captivity, death, loss, and abandonment. Accordingly, Der Nollhart is a remarkable example of how Gengenbach established the present and future through a Jewish past.
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来源期刊
DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR
DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Der "Daphnis" ist als Organ für die Erforschung der deutschen und neulateinischen Literatur vom Ausgang des 14. Jahrhunderts bis zur Mitte des 18. Jahrhunderts konzipiert worden. Er berücksichtigt darüber hinaus unter komparatistischem Aspekt auch die Beziehungen der Mittleren Deutschen Literatur zu den europäischen Literaturen dieses Zeitraums und widmet sich Problemen der frühneuhochdeutschen und neulateinischen Sprache.
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