受众空间多学科概念的演变

Q2 Arts and Humanities
Yuriy Isakov, Evgeniy Likhachev
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引用次数: 0

摘要

在古希腊,建筑师试图确保声音“清晰而愉快”地到达观众的耳朵。为了做到这一点,他们转向音乐共鸣理论,创造了一个多学科的建筑概念。成功的观众形式的先例和科学的发展有助于创造具有良好声学效果的建筑杰作。20世纪初建筑声学科学的诞生,为预测设计礼堂的音质带来了希望。但到了20世纪中叶,很明显需要一条新的道路。在建筑声学和电声学科学的交叉点上形成了一种新的多学科的观众空间概念,它在更大程度上满足了人们的社交和创造需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The evolution of the multidisciplinary concept of audience space
In ancient Greece, architects sought to ensure that the sound of the voice reached the viewer’s ears “distinctly and pleasantly”. To do this, they turned to the theory of musical resonances and created a multidisciplinary concept of architecture. The precedents of successful audience forms and the development of science helped to create architectural masterpieces with good acoustics. The birth of the science of architectural acoustics at the beginning of the 20th century gave hope for a good prediction of the sound quality of designed auditoriums. But by the middle of the 20th century, it became clear that a new path was required. A new multidisciplinary concept of audience space has been formed at the intersection of the sciences of architectural acoustics and electroacoustics, which meets the social and creative needs of a person to a greater extent.
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来源期刊
Project Baikal
Project Baikal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
94
审稿时长
13 weeks
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