{"title":"图形遗产和场所的形成","authors":"Alison Barnes, Robert G. Harland","doi":"10.1080/2159032x.2023.2269364","DOIUrl":null,"url":null,"abstract":"ABSTRACTThis article centers on three retail sites within Walthamstow, East London in the UK – Walthamstow High Street and Hoe Street; Orford Road within Walthamstow Village; and the western end of the High St in the St James area. Each of these sites utilize everyday urban “graphic heritage” – shop front design, colors, typefaces and symbols – in the making of place. However, the graphic heritage contributes to the development of very different “designscapes” and experiences of place for different people. Drawing from a range of interdisciplinary sources the article focuses on graphic heritage as a little studied feature of the urban retail streetscape. It suggests that, in a retail context, graphic heritage is used strategically by different stakeholders in placemaking activities. In some cases, this unfolds as an organically developed designscape over time. In others, formal development creates a more planned makeover. The different approaches discussed raise questions as to how this type of everyday urban graphic heritage might contribute to processes of gentrification and experiences of inclusion and exclusion; how the power and politics inherent in these seemingly mundane design choices can impact on the making of place; and how the notion of “design literacy” can be further refined in relation to the diverse range of stakeholders within the urban retail environment.KEYWORDS: Design literacydesignscapesgraphic heritagehigh streetsplacemakingWalthamstow Disclosure StatementNo potential conflict of interest was reported by the author(s).","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"279 1","pages":"0"},"PeriodicalIF":0.8000,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Graphic Heritage and the Making of Place\",\"authors\":\"Alison Barnes, Robert G. Harland\",\"doi\":\"10.1080/2159032x.2023.2269364\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACTThis article centers on three retail sites within Walthamstow, East London in the UK – Walthamstow High Street and Hoe Street; Orford Road within Walthamstow Village; and the western end of the High St in the St James area. Each of these sites utilize everyday urban “graphic heritage” – shop front design, colors, typefaces and symbols – in the making of place. However, the graphic heritage contributes to the development of very different “designscapes” and experiences of place for different people. Drawing from a range of interdisciplinary sources the article focuses on graphic heritage as a little studied feature of the urban retail streetscape. It suggests that, in a retail context, graphic heritage is used strategically by different stakeholders in placemaking activities. In some cases, this unfolds as an organically developed designscape over time. In others, formal development creates a more planned makeover. The different approaches discussed raise questions as to how this type of everyday urban graphic heritage might contribute to processes of gentrification and experiences of inclusion and exclusion; how the power and politics inherent in these seemingly mundane design choices can impact on the making of place; and how the notion of “design literacy” can be further refined in relation to the diverse range of stakeholders within the urban retail environment.KEYWORDS: Design literacydesignscapesgraphic heritagehigh streetsplacemakingWalthamstow Disclosure StatementNo potential conflict of interest was reported by the author(s).\",\"PeriodicalId\":44088,\"journal\":{\"name\":\"Heritage and Society\",\"volume\":\"279 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2023-10-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Heritage and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/2159032x.2023.2269364\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Heritage and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/2159032x.2023.2269364","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
ABSTRACTThis article centers on three retail sites within Walthamstow, East London in the UK – Walthamstow High Street and Hoe Street; Orford Road within Walthamstow Village; and the western end of the High St in the St James area. Each of these sites utilize everyday urban “graphic heritage” – shop front design, colors, typefaces and symbols – in the making of place. However, the graphic heritage contributes to the development of very different “designscapes” and experiences of place for different people. Drawing from a range of interdisciplinary sources the article focuses on graphic heritage as a little studied feature of the urban retail streetscape. It suggests that, in a retail context, graphic heritage is used strategically by different stakeholders in placemaking activities. In some cases, this unfolds as an organically developed designscape over time. In others, formal development creates a more planned makeover. The different approaches discussed raise questions as to how this type of everyday urban graphic heritage might contribute to processes of gentrification and experiences of inclusion and exclusion; how the power and politics inherent in these seemingly mundane design choices can impact on the making of place; and how the notion of “design literacy” can be further refined in relation to the diverse range of stakeholders within the urban retail environment.KEYWORDS: Design literacydesignscapesgraphic heritagehigh streetsplacemakingWalthamstow Disclosure StatementNo potential conflict of interest was reported by the author(s).
期刊介绍:
Heritage & Society is a global, peer-reviewed journal that provides a forum for scholarly, professional, and community reflection on the cultural, political, and economic impacts of heritage on contemporary society. We seek to examine the current social roles of collective memory, historic preservation, cultural resource management, public interpretation, cultural preservation and revitalization, sites of conscience, diasporic heritage, education, legal/legislative developments, cultural heritage ethics, and central heritage concepts such as authenticity, significance, and value. The journal provides an engaging forum about tangible and intangible heritage for those who work with international and governmental organizations, academic institutions, private heritage consulting and CRM firms, and local, associated, and indigenous communities. With a special emphasis on social science approaches and an international perspective, the journal will facilitate lively, critical discussion and dissemination of practical data among heritage professionals, planners, policymakers, and community leaders.