马克思主义对乔治的第一次反思Lukács

IF 1 Q3 SOCIOLOGY
Jiayang Qin
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引用次数: 0

摘要

《审美文化》一文写于1908年。虽然与《灵魂与形式》处于同一时期,但在本质上,本文所表达的思想超越了纯粹的生命哲学和形式论,这与Lukács在这一时期的唯心主义倾向是不同的。此外,“审美文化”与“历史”、“阶级意识”在主客体关系和阶级意识上具有本体论和认识论的一致性。这是Lukács的第一个马克思主义反映,也是他10年后加入匈牙利共产党并转向马克思主义的可靠标志。Lukács通过对审美文化本身悖论的批判,试图构建一个作为范畴的文化整体,试图解决现代社会意识自由与主体被动形式之间的深层矛盾。这种整体文化将以无产阶级自身的阶级意识为基础,以生命为主要范畴,为无产阶级在资产阶级文化中拓展生存空间提供实践性的理论概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The first Marxist reflection of Georg Lukács
The article ‘Aesthetic culture’ was written in 1908. Although it is in the same period as Soul and Form, in essence, the ideas expressed in this article go beyond the pure philosophy of life and the theory of form, which is different from the idealistic tendency of Lukács in this period. Moreover, ‘Aesthetic culture’ and History and Class Consciousness have ontological and epistemological consistency in subject–object relation and class consciousness. This was the first Marxist reflection of Lukács, and also a reliable sign that he was to join the Hungarian Communist Party 10 years later and turned to Marxism. By criticizing the paradox of aesthetic culture itself, Lukács tried to construct a culture as a whole as a category, and tried to solve the deep contradiction between the freedom of consciousness and the passive form of the subject in modern society. This kind of culture as a whole would be based on the class consciousness of the proletariat itself and take life as the main category, so as to provide the proletariat with practical theoretical conception to expand their space for living in bourgeois culture.
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来源期刊
Thesis Eleven
Thesis Eleven SOCIOLOGY-
CiteScore
1.40
自引率
12.50%
发文量
54
期刊介绍: Established in 1996 Thesis Eleven is a truly international and interdisciplinary peer reviewed journal. Innovative and authorative the journal encourages the development of social theory in the broadest sense by consistently producing articles, reviews and debate with a central focus on theories of society, culture, and politics and the understanding of modernity. The purpose of this journal is to encourage the development of social theory in the broadest sense. We view social theory as both multidisciplinary and plural, reaching across social sciences and liberal arts and cultivating a diversity of critical theories of modernity across both the German and French senses of critical theory.
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