颠覆黑金属恢复性怀旧:解读瑞士乐队Zeal从非洲悲观主义的视角看热情

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2023-10-11 DOI:10.1080/03007766.2023.2261124

Mathijs Peters

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引用次数: 0

摘要

本文分析了瑞士实验金属乐队Zeal & Ardor如何想象一种异族历史，根据这种异族历史，美国南方的奴隶信奉撒旦教以抵制白人至上主义。首先，Svetlana Boym对怀旧的反思被用来证明Zeal & Ardor拒绝了注入黑色金属的恢复性怀旧，而是产生了一种充满奴隶制创伤的非现代反线性时间性。其次，弗兰克·怀尔德森的非洲悲观主义被用来强调无家可归的特点，乐队的全部作品。第三，这种非现代的转向将Zeal & Ardor与先验黑色金属的未来主义区分开来。

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Subverting the Restorative Nostalgia of Black Metal: Reading Swiss Band Zeal & Ardor Through an Afropessimistic Lens

This article analyzes the ways in which Swiss experimental metal band Zeal & Ardor imagine an allohistory, according to which slaves in the American South embraced Satanism to resist white supremacism. Firstly, Svetlana Boym’s reflections on nostalgia are used to argue that Zeal & Ardor reject the restorative nostalgia that infuses black metal, instead generating an off-modern anti-linear temporality permeated with the trauma of slavery. Secondly, Frank Wilderson’s Afropessimism is employed to emphasize the homelessness that characterizes the band’s oeuvre. Thirdly, it is claimed that this off-modern turn distinguishes Zeal & Ardor from the futurism of transcendental black metal.

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.