十八世纪旅行艺术与现代主题概念的形成

Agnieszka Bandura
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引用次数: 0

摘要

17世纪和18世纪是西方哲学问题化和现代主体性概念形成的重要时期。在那个时期形成的主体概念既来自理性的笛卡尔传统,也来自19世纪浪漫主义之前的非理性元素;它们也扎根于日常实践中。对现实的探索,以及在旅行或流浪这种不寻常的情况下暴露出来的自我的局限性,充斥着18世纪的写作(哲学的或其他的)。它的扩散为同名的“旅行艺术”奠定了理论基础,也为反对激进理性主义的主题概念奠定了理论基础。试图将人类定义为“未完成的工程”,在旅行、创造和被创造的经历中成为自己,而不是一个有限的、静态的认知者,这支持了当代哲学中已知的主题愿景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Osiemnastowieczna sztuka podróży a formowanie się nowoczesnej koncepcji podmiotu
The 17th and 18th centuries were exceptionally important in Western philosophy for the problematization and formation of the modern concept of subjectivity. Conceptions of the subject formulated in that period drew both from the rational, Cartesian tradition, and from the irrational elements that preceded 19th-century Romanticism; they were also anchored in everyday praxis. The explorations of reality, and limitations of one’s ego exposed in the uncommon situation of travel or wandering, fi ll the writing (philosophical and otherwise) of the 18th century. Its proliferation laid the theoretical foundations for the eponymous “art of travelling,” and for conceptions of the subject which were opposed to radical rationalist ones. The attempts to defi ne human being as an “unfi nished project,” becoming itself in the experience of travelling, creating, and being created, rather than a finite and static res cogitans, support the vision of the subject known in contemporary philosophy.
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