两个夺回逃跑奴隶的咒语

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Gianluca Galetti, Rocío Da Riva
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引用次数: 0

摘要

本文介绍了两个晚期巴比伦碑的版本(BM 40482和BM 71630),属于驱魔人的爱的语料(āšipūtu)。这些文本包含了夺回逃跑奴隶的魔法仪式。这种仪式,到目前为止只从LKA 135中知道,属于侵略性的魔法仪式的类型,是为了给某人(即驱魔人的客户)对其他人(这里是逃跑的奴隶)的权力而进行的。这些新石板中处理的仪式的某些方面已经出现在LKA 135中,但是有一些新的元素和新的咒语以及伴随的魔法程序,补充了我们目前对āšipūtu文献的了解。碑文中包含的咒语和仪式程序在内容和风格上都很广泛。在正面的说明是非常简短和粗略的:他们处理物理对象和操作在简单的交感魔法的水平。相反,相反的情况更有趣,不仅在仪式程序层面,在文学层面也是如此。一般的印象是,这些是不同的咒语和仪式,它们是根据一个仪式实践者或抄写员的指示,出于特定的实际原因而组合在一起的,他们在片断的colophon中提到过。在碑的正面,所有的仪式行为都围绕着门,呈现为一个拟人化的实体,魔法的演讲是针对他的。在背面,我们有一个关于小雕像造型的参考。在文本的末尾出现了最后的咒语,由声音魔法组成,遵循其仪式程序。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two Incantations for the Recapture of Runaway Slaves
This paper presents the edition of two Late Babylonian tablets (BM 40482 and BM 71630) that belong to the corpus of the exorcist’s lore (āšipūtu). These texts contain magic rituals for recapturing runaway slaves. Rituals of this kind, so far known only from LKA 135, belong to the type of aggressive magic rituals performed in order to give someone (i. e., the exorcist’s client) power over someone else (here, the runaway slave). Some aspects of the rituals dealt with in these new tablets were already present in LKA 135, but there are some new elements and new incantations with their accompanying magical procedures which supplement our current knowledge on the āšipūtu literature. The incantations and ritual procedures contained in this tablet range widely with regard to their content and style. On the obverse the instructions are very brief and sketchy: they address physical objects and operate at the level of simple sympathetic magic. In contrast, the reverse is more interesting, not only at the level of the ritual procedures, but at the literary level as well. The general impression is that these are different sets of incantations and rituals which were put together for specific practical reasons following the instructions of a ritual practitioner or scribe who is mentioned in the fragmentary colophon. On the obverse of the tablet all the ritual acts gravitate around the door, presented as a personified entity to whom the magical speech is addressed. On the reverse we have a reference to the fashioning of figurines. At the end of the text a final incantation appears, composed by voces magicae, followed by its ritual procedure.
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来源期刊
Welt des Orients
Welt des Orients HUMANITIES, MULTIDISCIPLINARY-
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