Nurohman Nurohman, Triyono Triyono
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摘要

中爪哇省Sukoharjo县Gatak的Trangsan村自1927年以来一直是藤编手工业的中心。目前,它是中爪哇最大的藤产业。藤原料从加里曼丹进口,然后加工成家庭所需的即用品。为了减少走私,再次出口生藤的政策使得原材料难以获得。因此,庄三村的工匠创造性地将水葫芦的材料结合起来,减少了藤条的使用。这种创意是将藤条和水葫芦材料结合制作椅子产品的美学研究思路的来源。描述性定性研究将描述具有美学价值和质量的应用结果。使用观察和访谈以及文件的数据收集技术。数据分析发现,Trangsan生产的椅子的美学价值来自于编织布局的和谐,给顾客带来愉悦和满足感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Trangsan Village in Gatak, Sukoharjo Regency, Central Java Province has been the center of the rattan handicraft industry since 1927. Currently it is the largest rattan industry in Central Java. Rattan raw materials imported from Kalimantan and then processed into ready-to-use goods for household needs. The policy to export raw rattan again in order to reduce the level of smuggling makes raw materials difficult to obtain. So that the Trangsan village craftsmen creatively combine materials from water hyacinth to reduce the use of rattan. This creativity is a source of research ideas regarding the aesthetics of combining rattan and water hyacinth materials as the manufacture of chair products. Descriptive qualitative research will describe the findings of applications with aesthetic value and quality. Data collection techniques using observation and interviews, as well as documentation. Data analysis found the conclusion that the aesthetic value of the chairs produced by Trangsan comes from the harmony of the woven layout which creates a sense of pleasure and satisfaction from its customers.
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