共同梦想

Q4 Arts and Humanities

KulturPoetik Pub Date : 2023-10-17 DOI:10.13109/kult.2023.23.2.226

Manfred Engel

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引用次数: 0

摘要

赫拉克利特和弗洛伊德都把梦定义为一种非社会的、最终是主观的体验。然而，在文学和艺术中，我们发现有相当数量的梦是由两个彼此独立的个体共享的，以及两个或两个以上的个体共享同一个梦空间的集体梦。在简要介绍了超自然的梦之后，本文讨论了双重爱情梦的标准类型(克莱斯特，哈撒韦)和其功能变体的两个例子(托尔斯泰，基德)。最后一部分是分享的梦，其中第二个人(或一群人)在技术工具或心灵感应的帮助下进入睡眠者的梦想空间，并积极参与他或她的梦想(鲁本)。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Zusammen träumen

Both Heraclitus and Freud defined the dream as an a-social, ultimatively subjective experience. In literature and the arts, however, we find an impressive amount of dreams which are shared by two individuals independently of one another, and of collective dreams in which two or more individuals share the same dreamspace. After a short glance at supernatural dreams, the essay discusses the standard type of the double love-dream (Kleist, Hathaway) and two examples for its functional variations (Tolstoy, Ki-duk). The last section is devoted to shared dreams in which a second person (or group of persons) enters a sleeper’s dreamspace with the help of technical gadgets or telepathy, and actively partakes in his or her dream (Ruben).

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来源期刊

KulturPoetik Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量