超级英雄反屠夫:泽连斯基和普京在政治漫画中对俄罗斯的侵略

IF 1.2 2区 文学 Q3 COMMUNICATION
Orest Semotiuk
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引用次数: 0

摘要

本文结合国内和国际层面的政治幽默话语,对俄乌战争的话语维度及其在政治幽默中的运用进行了多模态分析。作者分析了乌克兰和俄罗斯政治漫画中支持/颠覆性幽默的分布,以乌克兰总统泽连斯基和俄罗斯总统普京为目标,代表冲突各方,特别注意呈现/设置。通过分析普京和泽连斯基政治漫画的目标、焦点和背景,以及漫画中语言和非语言元素的相互作用,分析了支持性和颠覆性政治幽默的分布。政治漫画可以根据其目标、参考框架和手段来定义。这些相应的参数(目标-对象、参照系-焦点、手段-设定)以及自我形象/外部形象与支持/颠覆性政治幽默之间的关系为本文提供了分析框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Superhero contra butcher: Zelensky and Putin in political cartoons on Russian aggression
This article integrates national and international levels of political humorous discourse and proposes a multimodal analysis of the discursive dimension of the Russian–Ukrainian war and its implementation in political humour. The author analyses the distribution of supportive/subversive humour in world, Ukrainian and Russian political cartoons targeting Ukrainian President Zelensky and Russian President Putin and representing the conflict parties, with special attention to the presentation/setting. The distribution of supportive vs subversive political humour is based on an analysis of the target, focus and setting of political cartoons depicting Putin and Zelensky, and on the interaction of verbal and nonverbal elements in the cartoons. Political cartoons can be defined by their goals, frames of reference and means. These corresponding parameters (goal–target, frame of reference–focus, means-setting) as well as the correlation between self-image/external image and supportive/subversive political humour provide the analytical framework for the article.
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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