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引用次数: 0
摘要
在阿拉伯诗歌中,夸耀自己的诗歌才能并不罕见。诗人歌颂自己的技艺,把自己抬高到对手之上。然而,他们有时会超越自夸,解释使他们的诗歌具有无与伦比品质的特殊属性。Al-Nāshi al-Akbar(公元293/906年)就是这样一位诗人,他宣称自己的诗歌是由他在说教诗中概述的标准定义的独特产品。他还写了至少一本关于诗歌批评的书,这些书现在只作为四、十一世纪阿达布作品的节选流传下来。根据al-Nāshi的说法,好的诗歌是声音和意义的和谐表达,以一种易于理解的方式呈现给观众,但不可能复制。在这方面,我建议,在阐述优秀诗歌的标准时,al-Nāshi - l提到了基于构成(naẓm)和神圣预防(ṣarfah)的不可模仿理论(I - l jāz)。他是一位Mu - tazilite神学家,他的同时代人和后来的学者对他既推崇又诋毁。他的神学著作已被审查;然而,他的文学形象仍然鲜为人知。与对他的大多数考虑不同,本研究首先将al-Nāshi作为诗人和评论家进行考察。
A Contrarian Muʿtazilite Theologian/Poet’s Guide to Fine Poetry: Al-Nāshiʾ al-Akbar (d. 293/906) and How to Write Inimitable Poems
Abstract Boasting of one’s poetic talents was hardly an uncommon feature in Arabic poetry. Poets sang praises for their craft and exalted themselves over their rivals. They sometimes moved beyond braggadocio, however, explaining the particular attributes that made their poetry of unmatched quality. Al-Nāshiʾ al-Akbar (d. 293/906) was one such poet who declared his poetry to be an inimitable product defined by standards that he outlined in his didactic poems. He also penned at least one book on the criticism of poetry which only survives now as excerpts in a number of fourth/eleventh century works of adab . Fine poetry, according to al-Nāshiʾ, is the harmonious articulation of sounds and meanings presented in an accessible way to its audience but is impossible to reproduce. In this respect, I propose that, in expounding the standards of excellent poetry, al-Nāshiʾ alluded to theories of inimitability ( iʿjāz ) based on composition ( naẓm ) and divine prevention ( ṣarfah ). He was a Muʿtazilite theologian who was both celebrated and vilified by his contemporaries, and later scholars. His theological writings have been examined; however, his literary persona is still little-known. In contrast to most considerations of him, this study examines al-Nāshiʾ as a poet and critic foremost.
期刊介绍:
The Journal of Arabic Literature (JAL) is the leading journal specializing in the study of Arabic literature, ranging from the pre-Islamic period to the present. Founded in 1970, JAL seeks critically and theoretically engaged work at the forefront of the field, written for a global audience comprised of the specialist, the comparatist, and the student alike. JAL publishes literary, critical and historical studies as well as book reviews on Arabic literature broadly understood– classical and modern, written and oral, poetry and prose, literary and colloquial, as well as work situated in comparative and interdisciplinary studies.