Heny Purnomo, Tri Rusia Ningsih, Ratna Mestikasari Putri
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The presence of electronic social media has created a new entertainment industry with artistic settings (scenography) supported by technological sophistication, whereas traditional theater performances are considered outdated, and often depend on supporting communities which are starting to decline. This social phenomenon has an impact on the behavior of today's audiences who prefer electronic media, especially YouTube, so that the traditional theater community needs to be \"empowered\" through virtual works to improve Information and Technology (IT) capabilities. Empowering the traditional theater community aims to put into practice starting from the process of preparing scenography equipment to editing various elements and elements of the artistic layout of virtual work performances. The method for empowering the traditional theater community is carried out through socialization (mentoring, training and production) and direct practice from resource persons. Through this empowerment, it is hoped that it can improve the IT capabilities of the traditional theater community in facing forms of audience transformation, and can utilize \"electronic social media\" as a new platform for presenting artistic performances through virtual works.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pemberdayaan Komunitas Teater Tradisi Melalui Karya Virtual Untuk Meningkatkan Kemampuan Information and Technology (IT)\",\"authors\":\"Heny Purnomo, Tri Rusia Ningsih, Ratna Mestikasari Putri\",\"doi\":\"10.20111/gayatri.v1i2.27\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After the closure of the THR Surabaya complex (2019), the Irama Budaya ludruk community is now in a worrying situation of \\\"stagnation\\\". 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引用次数: 0
摘要
在泗水寺综合楼(2019年)关闭后,Irama Budaya ludruk社区现在处于令人担忧的“停滞”状态。直到现在,仍然没有一个“载体”愿意容纳这个社区再次举行演出。与此同时,民间传统戏剧表演(ludruk)的现场表演越来越难做,也越来越少被发现,事实上电子社交媒体(social media)的成长和发展为传统戏剧组织表演提供了空间。在其发展过程中,现场表演需要大量的资金和时间,这可能会让观众感到无聊,尤其是年轻一代。另一方面,许多艺术通过社交媒体广播被商品化,几乎没有留下任何空闲时间。电子社交媒体的出现创造了一个新的娱乐产业,其艺术设置(场景设计)得到了先进技术的支持,而传统的戏剧表演被认为是过时的,而且往往依赖于开始衰落的支持社区。这种社会现象影响了今天偏爱电子媒体,尤其是YouTube的观众的行为,因此传统戏剧社区需要通过虚拟作品来“赋权”,以提高信息和技术(IT)能力。赋能传统戏剧社群,旨在从准备舞台设备的过程,到编辑虚拟作品演出的各种元素和元素的艺术布局,付诸实践。赋予传统戏剧社区权力的方法是通过社会化(指导、培训和制作)和资源人员的直接实践来实现的。通过这种赋能,希望能够提升传统戏剧社群在面对观众转型形式时的it能力,利用“电子社交媒体”作为虚拟作品呈现艺术表演的新平台。
Pemberdayaan Komunitas Teater Tradisi Melalui Karya Virtual Untuk Meningkatkan Kemampuan Information and Technology (IT)
After the closure of the THR Surabaya complex (2019), the Irama Budaya ludruk community is now in a worrying situation of "stagnation". Until now, there is still no "vehicle" that is willing to accommodate this community to hold its performances again. Meanwhile, folk traditional theater performances (ludruk) which are held in person are now increasingly difficult to do and rarely found, in fact the growth and development of electronic social media (social media) has provided space for traditional theater to organize performances. In its development, live performances require a lot of money and take longer, this can make the audience feel bored, especially the younger generation. On the other hand, a lot of art is commodified through social media broadcasts which almost never leave any free time. The presence of electronic social media has created a new entertainment industry with artistic settings (scenography) supported by technological sophistication, whereas traditional theater performances are considered outdated, and often depend on supporting communities which are starting to decline. This social phenomenon has an impact on the behavior of today's audiences who prefer electronic media, especially YouTube, so that the traditional theater community needs to be "empowered" through virtual works to improve Information and Technology (IT) capabilities. Empowering the traditional theater community aims to put into practice starting from the process of preparing scenography equipment to editing various elements and elements of the artistic layout of virtual work performances. The method for empowering the traditional theater community is carried out through socialization (mentoring, training and production) and direct practice from resource persons. Through this empowerment, it is hoped that it can improve the IT capabilities of the traditional theater community in facing forms of audience transformation, and can utilize "electronic social media" as a new platform for presenting artistic performances through virtual works.