收藏家Jindřich Waldes和策展人Jan Hofman:一个博物馆,两种方式

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
Kateřina Hrušková
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引用次数: 0

摘要

这项研究涉及到一个方面,直到现在才考虑到与沃尔德斯钮扣和紧固件博物馆有关,该博物馆存在于1916年至1945年之间,由布拉格实业家、收藏家和艺术赞助人Jindřich沃尔德斯倡议成立。除了沃尔德斯之外,另一位关键人物是艺术史学家、自然资源保护主义者和博物馆馆长简·Ješek霍夫曼(Jan Hofman),他在1916年至1919年间的工作在许多方面实现了建立一个收藏和研究机构的计划。在这个表面上具有代表性、运作良好的私人机构背后是什么?热情而富有的私人收藏家Waldes和负责将自己的想法落实到专业水平的专家Hofman之间的关系究竟是如何演变的?该研究旨在通过分析保存的档案材料和时期出版物来解释这种关系。它也代表了沃尔德斯博物馆作为一个非凡的博物馆实验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The collector Jindřich Waldes and the curator Jan Hofman: One museum, two approaches
The study deals with an aspect not considered until now in relation to the Waldes Museum of Buttons and Fasteners, existing in Prague-Vršovice between 1916 and 1945, founded at the initiative of Prague industrialist, collector, and patron of the arts Jindřich Waldes. Alongside Waldes, the other key figure was art historian, conservationist and museum curator Jan Ješek Hofman, whose work between 1916 and 1919 in many ways achieved the plan to build a collection and research institution. What was behind this outwardly-representative, functioning private institution and how did the relationship between Waldes, an enthusiastic and affluent private collector, and Hofman, the expert tasked with putting his ideas in place at a professional level, actually evolve? The study aims to present an interpretation of the relationship by analysing preserved archival materials and period publications. It also represents the Waldes Museum as a remarkable museum experiment.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
13
审稿时长
45 weeks
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