{"title":"理性的睡眠孕育了怪物:Antonfrancesco Grazzini和非理性的眩晕","authors":"Lavinia Spalanca","doi":"10.1177/00145858231208444","DOIUrl":null,"url":null,"abstract":"The literary work of Antonfrancesco Grazzini known as il Lasca is fueled by the polysemic richness of the dream world. The insertion, especially within his fiction, of visionary, abnormal and macabre elements, contributes to the definition of a universe in which the dividing line between reality and appearance, wakefulness and dream, truth and falsehood is destined to be constantly crossed, in the gradual sliding into mysterious and insidious territories, where the primacy of rationality is undermined by the vertigo of the irrational. This dialectical oscillation also permeates some of the author's comedies, in the name of the satire on the “arte falsa dello ‘ndovinare” – witchcraft, necromancy and popular superstition – encouraged in those years by the Medici power itself as an instrument of consensus and social manipulation.","PeriodicalId":12355,"journal":{"name":"Forum Italicum","volume":"48 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The sleep of reason breeds monsters: Antonfrancesco Grazzini and the vertigo of the irrational\",\"authors\":\"Lavinia Spalanca\",\"doi\":\"10.1177/00145858231208444\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The literary work of Antonfrancesco Grazzini known as il Lasca is fueled by the polysemic richness of the dream world. The insertion, especially within his fiction, of visionary, abnormal and macabre elements, contributes to the definition of a universe in which the dividing line between reality and appearance, wakefulness and dream, truth and falsehood is destined to be constantly crossed, in the gradual sliding into mysterious and insidious territories, where the primacy of rationality is undermined by the vertigo of the irrational. This dialectical oscillation also permeates some of the author's comedies, in the name of the satire on the “arte falsa dello ‘ndovinare” – witchcraft, necromancy and popular superstition – encouraged in those years by the Medici power itself as an instrument of consensus and social manipulation.\",\"PeriodicalId\":12355,\"journal\":{\"name\":\"Forum Italicum\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Forum Italicum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/00145858231208444\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Forum Italicum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/00145858231208444","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
摘要
Antonfrancesco Grazzini被称为il Lasca的文学作品是由梦境的多义性丰富所推动的。尤其是在他的小说中,虚幻的、不正常的和可怕的元素的插入,有助于定义一个宇宙,在这个宇宙中,现实与表象、清醒与梦想、真理与虚假之间的分界线注定要不断地被跨越,逐渐滑入神秘和潜伏的领域,理性的首要地位被非理性的眩晕所破坏。这种辩证的摇摆也渗透到作者的一些喜剧中,以讽刺“arte falsa dello ' ndovinare”的名义——巫术、巫术和大众迷信——在那些年被美第奇权力本身作为共识和社会操纵的工具所鼓励。
The sleep of reason breeds monsters: Antonfrancesco Grazzini and the vertigo of the irrational
The literary work of Antonfrancesco Grazzini known as il Lasca is fueled by the polysemic richness of the dream world. The insertion, especially within his fiction, of visionary, abnormal and macabre elements, contributes to the definition of a universe in which the dividing line between reality and appearance, wakefulness and dream, truth and falsehood is destined to be constantly crossed, in the gradual sliding into mysterious and insidious territories, where the primacy of rationality is undermined by the vertigo of the irrational. This dialectical oscillation also permeates some of the author's comedies, in the name of the satire on the “arte falsa dello ‘ndovinare” – witchcraft, necromancy and popular superstition – encouraged in those years by the Medici power itself as an instrument of consensus and social manipulation.