博尔扎诺在 "味觉法庭 "对象之争中对康德 "解读 "概念的修正

Q3 Arts and Humanities
Reflexe Pub Date : 2023-10-02 DOI:10.14712/25337637.2023.20
Tomáš Hlobil
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引用次数: 0

摘要

在德国前批判美学中,“沉思”(Betrachtung)一词被用来描述对美和艺术的接受。伊曼努尔·康德在他的《判断力批判》(1790)和伯纳德·博尔扎诺在他的《论美的概念》(1843)中也使用了这个词。博尔扎诺和康德都把品味(美)的判断与对最初客体的单纯观照联系在一起。然而,他们每个人对这一行为都有不同的含义,每个人都赋予它不同的重要性。本文对康德和博尔扎诺的纯粹观概念进行了描述和比较,并指出博尔扎诺的纯粹观概念应被理解为康德创新过程的内容修正。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bolzanova revize Kantova pojetí Betrachtung ve sváru o předmět soudu vkusu
In German pre-critical aesthetics, the term Betrachtung (contemplation) was coined to describe the reception of beauty and art. It was also used by Immanuel Kant in his Critique of Judgment (1790), and by Bernard Bolzano in his treatise On the Concept of Beauty (1843). Both Bolzano and Kant tied the judgment of taste (beauty) to the mere contemplation of the initial object. However, each of them meant something different by this act, and each accorded it a different importance. The study describes Kant’s and Bolzano’s conceptions of mere contemplation, compares them and shows that Bolzano’s concept should be understood as a content modification of Kant’s innovative procedure.
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来源期刊
Reflexe
Reflexe Arts and Humanities-Philosophy
CiteScore
0.20
自引率
0.00%
发文量
30
审稿时长
25 weeks
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