叙事恢复中的快与慢思维:新冠肺炎期间的多元创伤处理

Elayne Smith
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摘要

关于Covid-19大流行的集体文化创伤的写作如何有助于自传式疾病叙事,讲述如何与已有的分离性身份障碍达成协议?这种疾病的特点是内在的多元性、自传式健忘症和难以区分过去和现在。一开始,思考如何回忆,更不用说组织这样一个人生故事,似乎是一个不可能完成的挑战。通过批判性地阅读个人经历和集体创伤文化经历之间的比较,慢速思考(由卡尼曼2011年提出)可能是一种解决方案吗?这篇亲身经历的文章分享了疫情是如何引发快速思考的分离症状的,但这样做给了我一些故事片段,让我开始对自己早期的童年创伤进行叙述。通过对这一个人经历与经典文学和历史创伤的集体文化经历的缓慢比较阅读,一种共同产生的叙事出现了。因此,与在第三部门心理健康项目和福利论坛(如治疗期刊、表达性写作或戏剧角色扮演,例如Sampson 2007)中获得很大吸引力的治疗性创意写作模式不同,这里的重点是如何在多元创伤处理中为自我民族志自我治疗提供叙事恢复的新方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fast and Slow Thinking in Narrative Recovery: Pluralistic Trauma Processing during Covid-19
How can writing about the collective cultural trauma of the Covid-19 pandemic help in an autobiographical illness narrative about coming to terms with pre-existing Dissociative Identity Disorder? This disorder is characterised by inner plurality, autobiographical amnesia, and difficulties in discerning past from present times. Thinking about how to recall let alone organise such a life story might appear, at first, to be an impossible challenge. Might slow-thinking (coined by Kahneman 2011) through critical reading of comparisons between personal experiences and collective cultural experiences of trauma be a resolution? This lived experience account shares how the pandemic triggered fast-thinking dissociative symptoms but in so doing, gave me the story pieces to start forming a narrative about my earlier childhood trauma. Through slow, comparative readings of this personal experience with classic literary and collective cultural experiences of historical traumas, a co-produced narrative emerges. As a result, instead of the therapeutic creative writing modes that are gaining much traction in third sector mental health programmes and wellbeing forums (such as therapy journals, expressive writing or drama role play, see for instance Sampson 2007), the focus here is on how auto-ethnographic self-therapy can also provide new directions for narrative recovery in pluralistic trauma processing.
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