媒介神话话语:对印度电视剧中女性顺从与宗教话语的批判性分析

IF 0.5 Q4 COMMUNICATION
Kaifia Ancer Laskar
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引用次数: 0

摘要

媒体表现有能力唤起和传播一种受欢迎的主流意识形态的含义。像电影一样,电视肥皂剧也可能成为异性恋父权代表的场所。这篇文章强调了在宗教话语的伪装下,视觉和文本上的比喻用来强迫观众接受男权性别角色。本文通过对三部精选的印度肥皂剧《Saath Nibhana Sathiya》、《Choti Bahu》和《Bade Achche Lagte Hai》的批判性话语分析,指出宗教主题的使用是父权制的惩戒策略。女主人公为了解决危机而向印度教男神寻求度假胜地的行为成为性别歧视的标志。此外,在这些印度肥皂剧中,这种对多元文化和多宗教印度社会的一维表现,使它们演变成印度教社会,在故事情节、仪式、情节剧和厌女症中,印度教的主要比喻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mediated mythical discourses: A critical analysis of the female docility and religious discourses in Indian TV soap operas
Media representations have the power to evoke and circulate meanings about a dominant favoured ideology. Like films, television soap operas too may become the sites of hetero-patriarchal representation. This article foregrounds the visual and textual tropes applied to coerce the audience into accepting patriarchal gender roles in the disguise of religious discourse. Using critical discourse analysis of three select Hindi soap operas Saath Nibhana Sathiya , Choti Bahu and Bade Achche Lagte Hai , this article flags the use of religious motifs as disciplining strategies of patriarchy. The resort-seeking behaviour of the female protagonists towards the male Hindu deity for the resolution of crisis becomes a marker of sexism. Furthermore, this one-dimensional representation of a multicultural and multireligious Indian society in these Hindi soap operas has evolved them into Hindu Socials with their dominant tropes of Hinduness within the storyline, rituals, melodrama and misogynism.
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来源期刊
Journal of Arab and Muslim Media Research
Journal of Arab and Muslim Media Research Social Sciences-Linguistics and Language
CiteScore
1.10
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10
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