由ASMA NADIA和cloud SOEHARJANTO拍摄的普通男性爱情专营车

Agus Nugroho
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引用次数: 0

摘要

本研究旨在描述阿斯玛·纳迪亚和贡图尔·苏哈扬托的小说和电影《平凡的男爱》中以缩减、增加和改变方面类别的形式对情节、人物和背景进行组织的过程。本研究采用描述定性方法。本研究的来源和数据是Asma Nadia和Guntur Soeharjanto的小说和电影《Cinta-Laki Usually》。本文重点研究了在形式过程中对情节、人物和设定的组织。通过技术阅读、观察技术和笔记技术获得的数据。沟槽收缩11条,新增沟槽22条,沟槽变化8条。有3个收缩字符,11个字符添加,2个字符的不同变化。还有2个背景没有展示,10个布景被添加到电影中。本研究结果表明,精加工过程中发生的槽元、特征和背景,即存在缩面、增面、变面变化。缩小、增加、变化是不同的,这是考虑到小说和电影是两种不同的媒介。电影的持续时间有限,所以很可能会发生变化。但总的来说,电影中的描写与小说中的描写相差无几。 关键词:小说,电影,改编
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ALIH WAHANA NOVEL KE FILM CINTA LAKI-LAKI BIASA KARYA ASMA NADIA DAN GUNTUR SOEHARJANTO
This study aims to describe the process of ecranization of plot, characters, and background in the form of shrinking, adding and changing aspect categories varies on the novel and film Ordinary Male Love by Asma Nadia and Guntur Soeharjanto. The method used in this research is descriptive qualitative. The sources and data of this research are the novel and film Cinta-Laki Usually by Asma Nadia and Guntur Soeharjanto. Focus on this research in the form of the process of ecranization of the plot, characters and setting. Data obtained by technique reading, watching techniques, and note-taking techniques. There are 11 groove shrinkage, 22 groove additions, 8 varied changes to grooves. There are 3 shrinkage characters, 11 character additions, 2 varied changes to characters. And there are 2 backgrounds which were not shown, 10 sets were added to the film. Result of This study shows that the ecranization process that occurs in the groove elements, character and background, namely the existence of aspects of shrinking, adding aspects, aspects variable changes. Shrinking, adding, and changing varies This is done considering that novels and films are two different media. Film has limited time duration so it is likely that aspects of change will occur. But overall the depiction in the film not far from the depiction in the novel. Keywords: Novel, Film, Ecranization
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