COVID-19期间的流行病启动:显微镜下的转喻

Q1 Arts and Humanities
Ben Wetherbee
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引用次数: 0

摘要

COVID-19大流行及其构成争议说明了相互想象和“展示”的流行病动机如何不可逆转地导致修辞动作。像疾病控制中心对SARS-CoV-2“刺突蛋白”的形态描述这样的疾病的意象表现形式形成了说明性的转喻,将复杂的社会医学现象网络减少或“本质化”为有形的速记,为观众准备深思熟虑的行动。小儿麻痹症、麻疹和普通感冒等疾病的症状性痛苦图像,会让观众发自内心地联想到身体上的痛苦,让人产生一种想象的、深思熟虑的幻觉,亚里士多德称之为幻觉。刺突蛋白代替了委婉地难以形容的微生物领域,从而模糊了人类的痛苦。因此,记者和医学传播者承担着一种令人不安的伦理责任,即代表转喻的痛苦,不是因为它的轰动效应或震惊价值,而是因为它具有流行病的能力,可以引导或“转向”观众采取有意义的审议行动,以支持真正的人类福祉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Epideictic Priming amid COVID-19: Metonymy under the Microscope
Abstract The COVID-19 pandemic and its constituent controversies illustrate how the epideictic motives of mutual imagination and “showing forth” contribute irrevocably to rhetorical motion. Imagistic representations of disease like the Center for Disease Control’s morphological depiction of the SARS-CoV-2 “spike protein” form illustrative metonyms that reduce or “essentialize” complex networks of sociomedical phenomena into tangible shorthand, priming audiences for deliberative action. Images of symptomatic suffering that characterize diseases like polio, measles, and the common cold viscerally orient audiences to bodily suffering, compelling the sort of imaginative, deliberative vision that Aristotle terms phantasia. The spike protein obfuscates human suffering by substituting the euphemistically ineffable realm of microbiology. Journalists and medical communicators, therefore, bear an uncomfortable ethical imperative to represent metonymic suffering, not for its sensationalism or shock value, but for its epideictic capacity to prime or “turn” audiences toward meaningful deliberative action in support of real human well-being.
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来源期刊
Advances in the History of Rhetoric
Advances in the History of Rhetoric Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
22
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