人类世Motu的博物馆:从活动空间到空间行动

Q1 Arts and Humanities
Junyi Lv
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引用次数: 0

摘要

在这篇文章中,我对人类世的博物馆进行了动态的修辞分析。我没有详细讨论博物馆内部的策展,而是研究了金华宫国家矿山公园(一座有50年历史的煤矿)与联合国教科文组织文化遗产云冈石窟之间的空间和修辞对话。我将海德格尔和中国环境哲学的线索结合在一起,将博物馆重新定义为一种空间行动,它有三条相互纠缠的行动线:建筑、居住和说话。与以往将博物馆作为活动空间的研究不同,motu中的博物馆将博物馆变成了博物馆——一个表示适应突发事件的持续行动的名词。通过博物馆,人类在不同的居住实践中不断探索建筑的意义,并适应与超越人类的世界的关系存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Museums in Motu in the Anthropocene: From Active Space to Spatial Actions
In this article I offer an in motu rhetorical analysis of museums in the Anthropocene. Instead of discussing curations inside museums in detail, I examine spatial and rhetorical dialogues between the Jinhuagong National Mine Park, a fifty-year-old coal mine, and the Yungang Grottoes, a Unesco cultural heritage site. Pulling together threads from Heidegger and Chinese environmental philosophies, I redefine museum as spatial action with three entangled lines of action: building, dwelling, and saying. Unlike in previous studies of museum as active space, museum in motu turns museum into museuming—a gerund indicating ongoing actions adapting to contingencies. Through museuming, human beings keep exploring the meaning of building in diverse practices of dwelling and adapting to relational existence with the more-than-human world.
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来源期刊
Advances in the History of Rhetoric
Advances in the History of Rhetoric Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
22
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