通过嗅觉偏好的可预测性来感知室内空间

Farah Wahajuddin
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引用次数: 0

摘要

与其他空间感知相比,为什么建筑师更喜欢设计、绘制和描绘视觉?除了空间的可见、非物质和无形方面,建筑还解决了存在于固体和流体之间的最小质量,以及声音和气味的模糊物质性。人类的接触和多感官的联系使这种体验更加强烈。今天的建筑围护结构是由触觉边界和视觉可感知边界构成的,是对人体的抽象。这依赖于视觉、嗅觉和触觉。例如,改善一个人的嗅觉可能会改善对周围环境的感知。这是特别有趣的,因为它强调了这种感觉的重要性,并提醒人们,感觉敏感信息是响应性和环境适应性的可能性。不同的人对气味有不同的感官感知,就像不同的人对一个地方的环境温度有不同的需求一样。尽管每个人主观地解释这些并做出不同的反应,但当气味的三个方面,即流量、强度或持续时间中的任何一个受到干扰或增强时,个体都会立即接收到环境变化的信息。根据获取气味的方法,数据可以分为四种基本类型:观测、实验、模拟和生成。气味的强度也会随着距离源的远近而变化,随着时间和距离的流逝,这种气味会逐渐消失。这项研究将有助于建立嗅觉和颜色偏好之间的相似性。研究人们对颜色和气味的偏好是否可以根据固定的参数进行分类。McLean et al. (2018), pp 9-19然而,人类可以通过使用鼻子的嗅觉感受器来识别数百万种不同的气味。因此,将气味融入空间设计过程是一个有趣的想法。虽然香水本身无法用视觉表现出来,也无法证明它们能把我们带到另一个地方和时间,但它们仍然是让我们感到轻松自在的环境中必不可少的组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
INTERIOR SPACE PERCEPTION BY PREDICTABILITY OF OLFACTORY PREFERENCES
In contrast to other spatial perceptions, why do architects prefer to design, map, and depict the visual? In addition to the visible, immaterial, and intangible aspects of space, architecture also addresses the minimal qualities that exist between the solid and the fluid as well as the ambiguous materiality of sound and smell. The human touch and multi-sensorial connection are what make the experience more intense.Today's building envelopes are made of tactile boundaries and visually perceptible borders that are an abstraction of the human body. This relies on vision, smell, and touch. For example, improving one's sense of smell may improve the perception of the surroundings. This is particularly intriguing because it emphasizes the significance of this sense and serves as a reminder of the possibility of sensory-sensitive information that is responsive and environment-adaptive.Individuals have different sensory perceptions of odours, just as different people have different needs for ambient and appropriate temperatures in a location. Although each person subjectively interprets these and responds differently, an individual instantaneously receives this information of change in the environment when any of the three aspects of scent, namely flow, intensity, or duration, are disturbed or augmented.Based on the methods used to acquire smell, data can be divided into four basic categories: observational, experimental, simulational, and generated. The intensity of a smell also fluctuates according to how far it is from its source, which will gradually wither away as time and distance pass. The study would help establish a parallel between smell and colour preferences. Researching if people’s preferences for colour and smell can be classified based on fixed parameters. McLean et al. (2018), pp 9-19Humans, however, can identify millions of distinct odours just by using their nose's smell receptors. So, it's an intriguing idea to incorporate smells into the process of designing a space. Although fragrances themselves cannot be represented visually and their ability to transport us to a different place and time cannot be demonstrated, they are nonetheless essential components of a setting that makes us feel at ease and at home.
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