金属版光刻透视

Prashant Phirangi
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引用次数: 0

摘要

版画是一种技术媒介,包含了许多阶段和过程的物理接触。包括光刻、蚀刻、木刻、丝印等各种介质,以及化学品、油墨、工具、配件和印刷机等材料。版画家对此很感兴趣,并从他们的角度找到了运用这种媒介的空间,渐渐地,版画成为了一种有效的实践方式。再介入金属版光刻需要有一个基本的概念,用标准的制版技术和制版原理来发展。这种方法需要一个实际的示范和介绍给新一代的理解和实施。然而,对于那些谁是相对较新的平板光刻技术。主题强调实验项目和同一方面的研究。金属板刻作为一种技术,在当代实践中提供了广泛的可能性。它建立的方法取决于应用于它的概念/想法。它标志着重塑个人过去和预测未来的一种相当可观/可接受的媒介。然而,了解这项技术是有潜力的,并将影响制作。重新引入这种媒介作为一种替代的实践媒介的最终目标可能是为任何对这种媒介感兴趣的学生提供实用指导。这些实验应该被认为是对当代版画创作的一种挑战和对媒介的一种新方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE PERSPECTIVE OF METAL PLATE LITHOGRAPHY
Printmaking is a technical medium that embraces many physical engagements in stages and processes. Various mediums like lithography, etching, wood-cut, serigraphy, and materials such as chemicals, inks, tools, accessories, and printing presses are involved. Printmakers were interested and found scope to work with the medium from their perspective, and gradually printmaking became one of the effective practices. Re-intervention metal Plate Lithography needs a basic concept, with standard plate-making techniques and principles of printmaking to develop. This method requires a practical demonstration and introduction to the new generation to understand and implement it. Yet, for those who are relatively new to plate-lithography techniques. The themes emphasize experimental projects and research on the same side. As a technique, metal plate lithography offers a wide range of possibilities in contemporary practice. It establishes the methodology depends upon the concept/idea applied to it. It marks a considerable/acceptable medium for reinventing individual pasts and anticipating the future. However, understanding the technique has potential and would impact the making. The ultimate goal to re-introduce the medium as an alternative medium of practice could be to develop practical guidance for any student interested in the medium. The experiments should be considered a challenge to produce and a new approach to the medium in a contemporary printmaking manner.
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