Reimagining Godot

Abstract Recent developments in the critical arena indicate that scholars are showing a keen interest in tracing Samuel Beckett’s influence on, or presence in, the non-Western world. They focus on how the Beckettian oeuvre is translated and adapted in various corners of the world. This study aims to contribute to this trend by examining the adaptations of Waiting for Godot in Pakistan. It operates on two interconnected levels. First, it explores how the metaphor of Godot was employed to adapt to Pakistan’s political context. Second, it posits that the adaptable structure of Waiting for Godot empowers artists to mirror the audience’s worldview, resulting in one-of-a-kind interpretations that contest the Eurocentric perspective. The pliability of Beckettian oeuvre encourages diverse literary responses.