一年级的提示故事元素:探索两位老师的编曲的多式联运方法

Kim Ridell, Robert Walldén
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引用次数: 0

摘要

尽管对小学叙事文本的教学进行了充分的研究,但缺乏对教师如何使用视觉模型和多模态提示来传达特定体体性知识的深入了解。因此,我们在两个一年级的课堂上对民间故事《小红帽》的联合复述以及随后围绕叙事类型的互动进行了多模式的教学实践研究。在这两种情况下,教师在他们的编曲中都使用了图形模型the Story Face和白板画布。数据以录音和录像的形式收集。在结合Bernstein概念框架的社会符号学框架的基础上,分析发现两名教师都关注故事事件和故事的宏观结构,但在言语语言和视觉表征的使用上表现出不同的取向。这导致了对特定故事或更一般叙事类型特征的不同强调。此外,学生表现出对标志性和悬疑故事对话的兴趣,但这方面通常被教师使用口头语言和视觉资源所淡化。在此基础上,我们讨论了通过重叠模式研究教师不同管弦乐的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prompting story elements in first grade: An intermodal approach for exploring two teachers’ orchestrations
Although the teaching of narrative texts in primary school is well researched, there is a lack of insight into how visual models and multimodal prompts are used by teachers to convey genre-specific knowledge. Therefore, we conducted a multimodal study of the teaching practices in two first-grade classrooms during joint re-tellings of the folktale Little Red Riding Hood and subsequent interactions around narrative genre. In both cases, the teachers used the graphical model The Story Face as well as a whiteboard canvas in their orchestrations. Data was collected in the form of audio and video recordings. Underpinned by a social semiotic framework combined with Bernstein’s concept framing, the analyses revealed that both teachers focused on story events and the story’s macrostructure while displaying different orientations in the use of verbal language and visual representations. This resulted in different emphases on either story-specific or more general features of narrative genre. Furthermore, the students showed an interest in iconic and suspense-building story dialogue, but this aspect was generally de-emphasized by the teachers’ use of verbal language and visual resources. Based on these findings, we discuss the significance of studying teachers’ differing orchestrations through overlapping modes.
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