{"title":"《音乐学的工具(认识论)》奥列格·加拉兹著《音乐学中的万物理论》","authors":"MIHAELA-GEORGIANA BALAN","doi":"10.35218/ajm-2023-0016","DOIUrl":null,"url":null,"abstract":"Oleg Garaz is a prominent figure of Romanian culture, not only as a well-known and appreciated musicologist, respected in the academic community and by the general public alike, being a member of the Romanian Union of Composers and Musicologists since 1998, but also as a prose writer, essayist in the field of literature, awarded twice by the Romanian Writers Union, Cluj subsidiary, in 2004 and 2007. [...]","PeriodicalId":80558,"journal":{"name":"Artes de Mexico","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Uneltele Muzicologiei (Epistemologica) [The Tools of Musicology (Epistemologica)]1 by Oleg Garaz or the Theory of Everything in Musicology\",\"authors\":\"MIHAELA-GEORGIANA BALAN\",\"doi\":\"10.35218/ajm-2023-0016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Oleg Garaz is a prominent figure of Romanian culture, not only as a well-known and appreciated musicologist, respected in the academic community and by the general public alike, being a member of the Romanian Union of Composers and Musicologists since 1998, but also as a prose writer, essayist in the field of literature, awarded twice by the Romanian Writers Union, Cluj subsidiary, in 2004 and 2007. [...]\",\"PeriodicalId\":80558,\"journal\":{\"name\":\"Artes de Mexico\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artes de Mexico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35218/ajm-2023-0016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artes de Mexico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35218/ajm-2023-0016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Uneltele Muzicologiei (Epistemologica) [The Tools of Musicology (Epistemologica)]1 by Oleg Garaz or the Theory of Everything in Musicology
Oleg Garaz is a prominent figure of Romanian culture, not only as a well-known and appreciated musicologist, respected in the academic community and by the general public alike, being a member of the Romanian Union of Composers and Musicologists since 1998, but also as a prose writer, essayist in the field of literature, awarded twice by the Romanian Writers Union, Cluj subsidiary, in 2004 and 2007. [...]
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