选择音乐节奏模型的最小描述长度

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Verónica Rumbo, Ernesto Mordecki, Martín Rocamora
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引用次数: 0

摘要

摘要应用信息论中的最小描述长度(MDL)方法来选择音乐节奏的数学模型。我们考虑了David Temperley提出的六个模型,并对它们进行了数学形式化,从而允许进行MDL分析。因此,我们发现其中两个模型不适合应用这种方法,因为它们的编码策略并不能代表所有可能的节奏序列。对坦波利的层次模型稍加修改,就能提高编码性能,在实验中考虑的所有四个语料库中都具有鲁棒性:三个通常用于音乐研究的古典语料库和一个最近发布的探戈歌曲。我们的研究证实了MDL方法在解决模型复杂性和数据拟合能力之间的经典权衡方面的有效性。关键词:音乐节奏概率建模信息理论最小描述长度模型选择2010数学学科分类:00A6568Q3062B102012计算分类方案:应用计算致谢作者要感谢Ignacio博士Ramírez, Marcelo Fiori博士和Paola Bermolen博士对这项工作进行了富有成效的讨论。披露声明作者未报告潜在的利益冲突。补充数据本文的补充数据可以在线访问http://dx.doi.org/10.1080/17459737.2023.2213471.Correction statement本文已重新发布,并进行了轻微修改。这些变化不影响文章的学术内容。注1注意其他格律级别可以作为参考,例如十六音符级别这并不是唯一的原因。下面讨论的模型也对不同的时间特征进行了不同的处理CitationMavromatis(2012)使用了术语“概率音乐语法”在信息论中,我们通常使用log (x) =log2 (x)为了在一组d=2的二进制字符串中编码一个元素,我们需要使用,r =log2, d=log, d位在这两种情况下,描述长度都与log N成正比。CitationRissanen(1978)观察到了这一事实。7 https://github.com/mrocamora/mdlfit8审美偏好会导致不同节奏模式的出现率不同,见图5。本工作得到了乌拉圭国家机构Investigación e Innovación (ANII)和Comisión部门机构Investigación Científica (CSIC)的部分资助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Minimum description length for selection of models of musical rhythm
AbstractWe apply the minimum description length (MDL) methodology from information theory in order to select mathematical models for musical rhythm. We consider six models proposed by David Temperley and mathematically formalize them, which allows for an MDL analysis. As a consequence, we find that two of the models are not suitable to apply this methodology, as their codification strategy does not represent all possible rhythm sequences. A slight modification of Temperley's hierarchical model provides an improvement in codification performance, robust across all the four corpora considered in the experiments: three classical corpora commonly used in music studies and one of tango songs recently released. Our study confirms the usefulness of the MDL approach to solve the classical trade-off between model complexity and its ability to fit the data.Keywords: Musical rhythmprobabilistic modellinginformation theoryminimum description lengthmodel selection2010 Mathematics Subject Classification: 00A6568Q3062B102012 Computing Classification Scheme: Applied computing AcknowledgmentsThe authors would like to thank Dr. Ignacio Ramírez, Dr. Marcelo Fiori and Dr. Paola Bermolen for fruitful discussion about this work.Disclosure statementNo potential conflict of interest was reported by the author(s).Supplemental dataSupplemental data for this article can be accessed online at http://dx.doi.org/10.1080/17459737.2023.2213471.Correction StatementThis article has been republished with minor changes. These changes do not impact the academic content of the article.Notes1 Note that other metrical levels could be used as reference, such as the sixteenth-note level.2 This is not the only reason. The models discussed in the following also treat different time signatures differently.3 CitationMavromatis (2012) uses the term probabilistic musical grammar.4 As usual in information theory we use log⁡x=log2⁡x.5 To encode one element within a set of d=2ℓ a binary stings, we need to use ℓ=log2⁡d=log⁡d bits.6 In both cases the description length is proportional to log⁡N. This fact was observed by CitationRissanen (1978).7 https://github.com/mrocamora/mdlfit8 Aesthetic preferences can result in a different rate of occurrence of different rhythmic patterns, see Figure 5.Additional informationFundingThis work was partially supported by funding agencies Agencia Nacional de Investigación e Innovación (ANII) and Comisión Sectorial de Investigación Científica (CSIC), UdelaR.
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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