{"title":"《战前新奥尔良的建设:有色人种自由人及其影响》塔拉·a·达德利著(书评)","authors":"Charlette M. Caldwell","doi":"10.1353/bdl.2023.a911888","DOIUrl":null,"url":null,"abstract":"Reviewed by: Building Antebellum New Orleans: Free People of Color and Their Influence by Tara A. Dudley Charlette M. Caldwell (bio) Tara A. Dudley Building Antebellum New Orleans: Free People of Color and Their Influence Austin: University of Texas, 2021 336 pages, 94 black-and-white and 22 color illustrations ISBN: 9781477323021, $50.00 HB ISBN: 9781477323045, $50.00 EB Engagement, as Tara A. Dudley defines it in Building Antebellum New Orleans, encapsulates the architectural and building histories of underrepresented communities, bringing to the fore the signification of commitment and conflict that faces a racialized group when acquiring property and asserting the right to build on their property. As Louisiana grew rapidly between the 1830s and the 1840s, the gens de couleur libres community—free people of color who were of mixed Black and European ancestry—prospered, engaging in building trades and property acquisitions that left an indelible mark on the built environment. As Dudley writes, these free people of color and their buildings have been unexplored fully in architectural history, leaving a crucial gap that she expertly fills to show these communities’ influences on American architecture. The free people of color in New Orleans trace their origins to informal relationships between White men and women of color. Laws were lenient regarding interracial relationships, which contributed naturally to the growth of a distinct mixed-race class. Two families in particular, the Dolliole family and the Soulié family, contributed significantly to the building industry in New Orleans, their work concentrated mostly in the Vieux Carré and Faubourg Tremé neighborhoods. And although the population numbers of the gens de couleur libres decreased in the city toward the end of the antebellum period, their presence nonetheless influenced the economic opportunities available for them. The book is divided into three parts. In the first, “Ownership: Possessing the Built Environment,” Dudley uses the property histories of the Dolliole and the Soulié families as case studies to structure the book, delving first into a detailed history of their property acquisitions before exploring their ramifications. In chapter 1, “The Gens de Couleur Libres’ Acquisition of Property,” Dudley details how the ownership of property “was the first step in the architecture-driven identity-building process by which many builders and developers of color established their place in antebellum New Orleans” (25). Members of these families often used inter vivos (between living people) donations to transfer or gift property to relatives. This was often the case after a family member passed away or gifted the property to their offspring. Despite increasing limitations placed on people of color during this time, through donations and working with business associates, families like the Dollioles and the Souliés acquired a significant amount of property, establishing birthrights for their descendants. In chapter 2, “The Ramifications of Use and Location,” Dudley examines the building histories not only in the Vieux Carré and the Faubourg Tremé, but also in other suburbs and streets, demonstrating how the gens de couleur libres interacted and moved about the city of New Orleans from its origins as a European colony to an American city. These families took advantage of areas deemed unimportant by White Creoles and Americans, establishing a secure propertied foothold by people of color. As Dudley explains, “the gens de couleur libres’ success as property owners and speculators presented a dichotomy in a city becoming more and more American culturally and racially segregated and attempting to keep free people of color in their ‘proper place’ in daily life. On the other hand, their reality underscored the parity they retained with White Creoles and many Americans” (71). The concentration of these properties was also significant due to their sheer size, and because their placement affected the racial demographics in the city long after the population size of the gens de couleur libres dwindled after the 1840s. Part 2, “Engagement: Forming and Transforming the Built Environment,” begins with chapter 3, “The Architecture of the Dolliole and the Soulié Families,” which focuses on the uses of engagement, or how the gens de couleur libres formed and transformed the built environment in which they lived. This chapter is most significant to Dudley’s argument, as she explores how members of each...","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Building Antebellum New Orleans: Free People of Color and Their Influence by Tara A. Dudley (review)\",\"authors\":\"Charlette M. Caldwell\",\"doi\":\"10.1353/bdl.2023.a911888\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Reviewed by: Building Antebellum New Orleans: Free People of Color and Their Influence by Tara A. Dudley Charlette M. Caldwell (bio) Tara A. Dudley Building Antebellum New Orleans: Free People of Color and Their Influence Austin: University of Texas, 2021 336 pages, 94 black-and-white and 22 color illustrations ISBN: 9781477323021, $50.00 HB ISBN: 9781477323045, $50.00 EB Engagement, as Tara A. Dudley defines it in Building Antebellum New Orleans, encapsulates the architectural and building histories of underrepresented communities, bringing to the fore the signification of commitment and conflict that faces a racialized group when acquiring property and asserting the right to build on their property. As Louisiana grew rapidly between the 1830s and the 1840s, the gens de couleur libres community—free people of color who were of mixed Black and European ancestry—prospered, engaging in building trades and property acquisitions that left an indelible mark on the built environment. As Dudley writes, these free people of color and their buildings have been unexplored fully in architectural history, leaving a crucial gap that she expertly fills to show these communities’ influences on American architecture. The free people of color in New Orleans trace their origins to informal relationships between White men and women of color. Laws were lenient regarding interracial relationships, which contributed naturally to the growth of a distinct mixed-race class. Two families in particular, the Dolliole family and the Soulié family, contributed significantly to the building industry in New Orleans, their work concentrated mostly in the Vieux Carré and Faubourg Tremé neighborhoods. And although the population numbers of the gens de couleur libres decreased in the city toward the end of the antebellum period, their presence nonetheless influenced the economic opportunities available for them. The book is divided into three parts. In the first, “Ownership: Possessing the Built Environment,” Dudley uses the property histories of the Dolliole and the Soulié families as case studies to structure the book, delving first into a detailed history of their property acquisitions before exploring their ramifications. In chapter 1, “The Gens de Couleur Libres’ Acquisition of Property,” Dudley details how the ownership of property “was the first step in the architecture-driven identity-building process by which many builders and developers of color established their place in antebellum New Orleans” (25). Members of these families often used inter vivos (between living people) donations to transfer or gift property to relatives. This was often the case after a family member passed away or gifted the property to their offspring. Despite increasing limitations placed on people of color during this time, through donations and working with business associates, families like the Dollioles and the Souliés acquired a significant amount of property, establishing birthrights for their descendants. In chapter 2, “The Ramifications of Use and Location,” Dudley examines the building histories not only in the Vieux Carré and the Faubourg Tremé, but also in other suburbs and streets, demonstrating how the gens de couleur libres interacted and moved about the city of New Orleans from its origins as a European colony to an American city. These families took advantage of areas deemed unimportant by White Creoles and Americans, establishing a secure propertied foothold by people of color. As Dudley explains, “the gens de couleur libres’ success as property owners and speculators presented a dichotomy in a city becoming more and more American culturally and racially segregated and attempting to keep free people of color in their ‘proper place’ in daily life. On the other hand, their reality underscored the parity they retained with White Creoles and many Americans” (71). The concentration of these properties was also significant due to their sheer size, and because their placement affected the racial demographics in the city long after the population size of the gens de couleur libres dwindled after the 1840s. Part 2, “Engagement: Forming and Transforming the Built Environment,” begins with chapter 3, “The Architecture of the Dolliole and the Soulié Families,” which focuses on the uses of engagement, or how the gens de couleur libres formed and transformed the built environment in which they lived. This chapter is most significant to Dudley’s argument, as she explores how members of each...\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/bdl.2023.a911888\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/bdl.2023.a911888","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
由塔拉A.达德利(传记)塔拉A.达德利建筑战前新奥尔良:有色人种自由人及其影响奥斯汀:德克萨斯大学,2021 336页,94张黑白和22张彩色插图ISBN: 9781477323021, 50美元HB ISBN:[9781477323045] $50.00 EB Engagement,正如Tara a . Dudley在《战前新奥尔良的建筑》中所定义的那样,它概括了代表性不足的社区的建筑和建筑历史,突出了种族化群体在获得财产和主张在其财产上建造的权利时所面临的承诺和冲突的意义。随着路易斯安那州在19世纪30年代至40年代间的快速发展,自由色族(gens de couleur libres)社区——即黑人和欧洲混血的有色人种——繁荣起来,从事建筑贸易和财产收购,在建筑环境中留下了不可磨灭的印记。正如达德利所写,这些自由的有色人种和他们的建筑在建筑史上没有得到充分的探索,留下了一个关键的空白,她熟练地填补了这个空白,展示了这些社区对美国建筑的影响。新奥尔良的自由有色人种的起源可以追溯到白人男性和有色人种女性之间的非正式关系。法律对种族间的关系很宽容,这自然促成了一个独特的混合种族阶级的增长。特别是两个家族,Dolliole家族和souli家族,对新奥尔良的建筑业做出了重大贡献,他们的工作主要集中在Vieux carr和Faubourg trem社区。尽管在战前末期,自由色族的人口数量在城市中有所减少,但他们的存在仍然影响了他们的经济机会。这本书分为三个部分。在第一部《所有权:拥有建筑环境》中,达德利以多利奥勒家族和苏利奥尔家族的房产历史作为案例研究来构建这本书,在探索其后果之前,他首先深入研究了他们房产收购的详细历史。在第一章“自由色彩族对财产的收购”中,达德利详细描述了财产的所有权是如何“在建筑驱动的身份建设过程中迈出的第一步,许多有色人种的建设者和开发商在内战前的新奥尔良建立了自己的地位”(25)。这些家庭的成员经常使用活着的人之间的捐赠来转移或赠送财产给亲戚。这种情况通常发生在家庭成员去世或将财产赠与后代之后。尽管当时对有色人种的限制越来越多,但通过捐赠和与商业伙伴的合作,像Dollioles和soulisamas这样的家庭获得了大量财产,为他们的后代建立了与生俱来的权利。在第二章“使用和位置的影响”中,达德利不仅考察了Vieux carr和Faubourg trem的建筑历史,还考察了其他郊区和街道的建筑历史,展示了自由色彩族如何在新奥尔良市从欧洲殖民地到美国城市的起源中相互作用和移动。这些家庭利用白人克里奥尔人和美国人认为不重要的地区,为有色人种建立了一个安全的财产立足点。正如达德利所解释的那样,“自由色彩族作为业主和投机者的成功,在一个文化和种族隔离越来越美国化的城市中呈现出一种二分法,并试图让自由的有色人种在日常生活中处于‘适当的位置’。”另一方面,他们的现实强调了他们与克里奥尔白人和许多美国人保持的平等”(71)。这些房产的集中也很重要,因为它们的规模庞大,而且在19世纪40年代以后,自由色族的人口规模减少很久之后,它们的位置影响了城市的种族人口统计。第2部分,“参与:形成和改造建筑环境”,从第3章“Dolliole和souli家庭的建筑”开始,重点关注参与的用途,或者是自由色彩族如何形成和改造他们居住的建筑环境。这一章对达德利的论点来说是最重要的,因为她探讨了每个成员如何……
Building Antebellum New Orleans: Free People of Color and Their Influence by Tara A. Dudley (review)
Reviewed by: Building Antebellum New Orleans: Free People of Color and Their Influence by Tara A. Dudley Charlette M. Caldwell (bio) Tara A. Dudley Building Antebellum New Orleans: Free People of Color and Their Influence Austin: University of Texas, 2021 336 pages, 94 black-and-white and 22 color illustrations ISBN: 9781477323021, $50.00 HB ISBN: 9781477323045, $50.00 EB Engagement, as Tara A. Dudley defines it in Building Antebellum New Orleans, encapsulates the architectural and building histories of underrepresented communities, bringing to the fore the signification of commitment and conflict that faces a racialized group when acquiring property and asserting the right to build on their property. As Louisiana grew rapidly between the 1830s and the 1840s, the gens de couleur libres community—free people of color who were of mixed Black and European ancestry—prospered, engaging in building trades and property acquisitions that left an indelible mark on the built environment. As Dudley writes, these free people of color and their buildings have been unexplored fully in architectural history, leaving a crucial gap that she expertly fills to show these communities’ influences on American architecture. The free people of color in New Orleans trace their origins to informal relationships between White men and women of color. Laws were lenient regarding interracial relationships, which contributed naturally to the growth of a distinct mixed-race class. Two families in particular, the Dolliole family and the Soulié family, contributed significantly to the building industry in New Orleans, their work concentrated mostly in the Vieux Carré and Faubourg Tremé neighborhoods. And although the population numbers of the gens de couleur libres decreased in the city toward the end of the antebellum period, their presence nonetheless influenced the economic opportunities available for them. The book is divided into three parts. In the first, “Ownership: Possessing the Built Environment,” Dudley uses the property histories of the Dolliole and the Soulié families as case studies to structure the book, delving first into a detailed history of their property acquisitions before exploring their ramifications. In chapter 1, “The Gens de Couleur Libres’ Acquisition of Property,” Dudley details how the ownership of property “was the first step in the architecture-driven identity-building process by which many builders and developers of color established their place in antebellum New Orleans” (25). Members of these families often used inter vivos (between living people) donations to transfer or gift property to relatives. This was often the case after a family member passed away or gifted the property to their offspring. Despite increasing limitations placed on people of color during this time, through donations and working with business associates, families like the Dollioles and the Souliés acquired a significant amount of property, establishing birthrights for their descendants. In chapter 2, “The Ramifications of Use and Location,” Dudley examines the building histories not only in the Vieux Carré and the Faubourg Tremé, but also in other suburbs and streets, demonstrating how the gens de couleur libres interacted and moved about the city of New Orleans from its origins as a European colony to an American city. These families took advantage of areas deemed unimportant by White Creoles and Americans, establishing a secure propertied foothold by people of color. As Dudley explains, “the gens de couleur libres’ success as property owners and speculators presented a dichotomy in a city becoming more and more American culturally and racially segregated and attempting to keep free people of color in their ‘proper place’ in daily life. On the other hand, their reality underscored the parity they retained with White Creoles and many Americans” (71). The concentration of these properties was also significant due to their sheer size, and because their placement affected the racial demographics in the city long after the population size of the gens de couleur libres dwindled after the 1840s. Part 2, “Engagement: Forming and Transforming the Built Environment,” begins with chapter 3, “The Architecture of the Dolliole and the Soulié Families,” which focuses on the uses of engagement, or how the gens de couleur libres formed and transformed the built environment in which they lived. This chapter is most significant to Dudley’s argument, as she explores how members of each...