当今印度微型传统的研究:通过当代艺术家virendra bannu和waswo x. waswo的绘画

Jyoti Jalan, Ujjvala M. Tiwari
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引用次数: 0

摘要

纵观艺术史,我们可以看到艺术经历了几个时代的演变。在印度的微型艺术传统中也可以看到重大的发展。可以看出,微缩艺术的基本原则是不变的,但在构图的风格创作和表现上发生了变化。基本原理和内在意义不可能随着时间的推移而消失。本文旨在通过对当代艺术家Virendra Bannu和Waswo X. Waswo的微缩绘画的分析,研究当今印度微缩传统的各个方面。衡量社会政治,文化和经济因素,以确定演变,并了解其在定义当代微型艺术的意义。这项研究还将揭示传统的方法是如何在现代世界取得巨大进步的情况下,在时间的进程中代代相传。本文通过对实践艺术家的采访和一些绘画作品进行分析,得出结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
STUDY OF PRESENT-DAY INDIAN MINIATURE TRADITION: THROUGH THE PAINTINGS OF CONTEMPORARY ARTISTS VIRENDRA BANNU AND WASWO X. WASWO
Looking at the art history, we see that art has evolved through the ages. A significant development can be seen in Indian miniature art tradition too. It is perceived that the foundation principles of miniature art remains the same however, the changes occurred in the stylistic creation and presentation of the composition. There is no way that the fundamentals and intrinsic meaning has been disappeared with course of time.This paper aims at studying the various aspects of present-day Indian Miniature Tradition through an analysis of the miniature paintings of contemporary artists Virendra Bannu and Waswo X. Waswo. Socio-political, cultural, and economic factors are measured to determine the evolution and to understand its significance in defining the contemporary miniature art. This study will also unfold how traditional methods have been kept alive throughout the generations in course of time in spite of tremendous advances of the modern world. Practicing artist’s interview and some paintings are considered in the paper to come to a conclusion.
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