自由的官僚主义

IF 0.1 0 ART
Katie Pratt
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引用次数: 0

摘要

当海伦·弗兰肯塞勒说“没有规则”的时候,一切都是可以争夺的:她会质疑、破坏或无视惯例。虽然弗兰肯塞勒有想象她打算做什么的洞察力,但对一些艺术家来说,这种确定性的认知状态可能是难以捉摸的。作者对弗兰肯塞勒的“无规则”格言进行了反思,并将其与自己的绘画实践经验进行了比较。本文探讨了一个单一的决定对艺术作品的方向和结果的影响,并探讨了作者绘画中规则与艺术直觉之间的平衡。文章进一步探讨了艺术自由的概念及其所呈现的悖论。这表明许多艺术家在创作过程中引入了问题或限制。作者概述了他们自己的艺术方法论,利用规则、算法和系统来引导艺术决策,并在结构和艺术自由之间创造一种辩证的张力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The bureaucracy of freedom
When Helen Frankenthaler said ‘no rules’, everything was up for grabs: she would interrogate, disrupt or disregard conventions. While Frankenthaler had the perception to envision what she intended to make, for some artists that deterministic state of knowing can be elusive. The author reflects on Frankenthaler’s maxim ‘no rules’ and compares it to their personal experience of painting practice. This article explores the impact of a single decision on the direction and outcome of an artwork and investigates the balance between regulation and artistic intuition in the author’s painting. The article further explores the concept of artistic freedom and the paradox it presents. It suggests that many artists introduce problems or limitations to navigate the creative process. The author outlines their own artistic methodology which utilizes rules, algorithms and systems to navigate artistic decision-making and to create a dialectic tension between structure and artistic freedom.
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CiteScore
0.30
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