从马赛克看奥斯提亚·安提卡的宗教信仰

IF 0.3 0 ARCHAEOLOGY
Antonio LICORDARI, Francesca LICORDARI, Angelo PELLEGRINO
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引用次数: 0

摘要

虽然神话是奥斯提亚·安蒂卡马赛克中最广泛的主题之一(包括地板和非地板),但从宗教和邪教的角度来看,一些作品具有显著的重要性。我们打算考察奥斯提亚教派各方面的马赛克表现,其中密特拉教派以一种特殊的方式表现出来,因为它的传播和它的证词的幅度。毫无疑问,马赛克的目的是通过视觉直接传达其内容,也因为密特拉的宗教首先被低层次的信徒所接受,对他们来说,通过图像进行交流更合适。然而,在奥斯提亚,在邪教的追随者中,有证据表明有高级人士,甚至可能属于皇室。在密特拉的旁边,我们想要强调萨巴齐奥的崇拜,在过去的其他东方神的痕迹被发现,有时是正确的,有时是错误的,在迪奥斯科斯的房子里,在鱼的房子里,在海王星的浴场里,在海洋门(公元4世纪)的建筑中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Some Aspects of Religiosity in Ostia Antica Through Mosaics
While mythology is one of the most widespread themes in the mosaics of Ostia Antica (both floor and non-floor), some compositions have a marked importance from a religious and cultic point of view. We intend to examine the mosaic representations of aspects of the Ostian cults, among which that of Mithras stands out in a particular way for its diffusion and for the amplitude of its testimonies. The mosaic undoubtedly had the purpose of immediate visual communication of its contents, also because the religion of Mithras was accepted above all by low-level believers for whom communication through images was more suitable. However, in Ostia, among the followers of the cult, there is evidence of high-ranking personages, perhaps even belonging to the imperial family. Next to that of Mithras we want to highlight the cult of Sabazio, of other oriental divinities in the past traces have been found, sometimes rightly and sometimes wrongly, in the House of the Dioscures, in the House of the Fishes, in the Neptune’s baths and in the opus sectile building of the Marine Gate (4th century AD).
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
6 weeks
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