金黄与蓝色的过渡--在历史古迹中的当代实现

IF 0.3 0 ARCHAEOLOGY
Brigitta Maria KÜRTÖSİ
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引用次数: 0

摘要

本文旨在展示匈牙利Kalocsa大主教城堡庭院喷泉的创作过程。该教区的首席建筑师Márta Vörös设计了一件象征三位一体的复杂艺术品。喷泉的圆形混凝土体直径为7米,位于内部花园空间的中间。在构图的中心,一个球体和一个鸽子被一层薄薄的花萼状的水包围着。喷泉的表面将覆盖由作者执行的穆拉诺玻璃马赛克。深色从深色调经过蓝绿色调的过渡变成金色的阴影,反射到大地和天空。马赛克是通过工作室的直接技术制作的,遵循由36片组成的分割系统,每个切片有11个部分。准备好的部分经过编辑,以适应喷泉的弯曲设计,而设置风格则希望巧妙地放大象征性的内容。从上面看,这个作品看起来像上帝的眼睛,是一个普遍的保护符号。这件当代艺术作品体现了传统视觉与理论价值的融合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Altın Sarısı ve Mavi Geҫişi - Tarihi Bir Yerde Çağdaş Bir Gerçekleşme
The paper aims to demonstrate the creative process of the realization of a fountain in the courtyard of the Archbishop’s Castle in Kalocsa, Hungary. Lead architect of the diocese, Márta Vörös designed a complex artwork symbolizing the Trinity. The rounded shape concrete body of the fountain is seven metres in diameter and positioned in the middle of the inner garden space. In the centre of the composition, an orb and a dove figure are encompassed by a thin layer of water in a calyx-form. The surface of the fountain will be covered with Murano glass mosaic executed by the author. The dark colours from deep tones through the transition of blueish and greenish tints turn to golden shades reflecting to the Earth and Sky. The mosaic is made by direct technique in studio following a division system composed by 36 slices with 11 sections of each. The prepared sections are edited to fit to the curved design of the fountain, and the setting style desires to delicately amplify the symbolic content. From above the work will look like the eye of God as a universal protective symbol. This contemporary artwork exemplifies the fusion of traditional visual and theoretical values.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
6 weeks
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