拉文纳 "和平公园":修复克劳德-拉希尔的马赛克喷泉 "Le Chaos Et La Source De Vie" 保护和修复室外当代艺术品的现代方法

IF 0.3 0 ARCHAEOLOGY
Cristina COCCIA, Ilaria Marta CARRA, Maria Benedetta GANDINI, Paola PERPIGNANI, Simone ZAMBRUNO
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引用次数: 0

摘要

在拉文纳市政府的倡议下,在国际当代马赛克协会(AIMC)和联合国教科文组织的支持下,“Parco della Pace”于1988年诞生于拉文纳。它被认为是一个真正的露天博物馆,保存了9件由国际知名艺术家创作的当代马赛克作品。最近,整个公园的重建和改善计划得到了批准:拉文纳市政府、博洛尼亚大学、弗拉米尼亚基金会和拉文纳蒂卡基金会之间的协议使克劳德·拉希尔(Claude Rahir)于1984年完成的喷泉马赛克“Le chaos et la source de vie”得以修复。干预的第一部分侧重于对档案文件的仔细研究,这些文件提供了对艺术家精神和意志的理解。修复技术是为了重建多年来被忽视和破坏的艺术品,使我们能够将现在标准化的产品和方法与最近的其他实验进行比较。必须特别注意弥合差距的问题,将适用于受保护文化遗产的修复理论与当代艺术世界联系起来。为了支持干预,使用“运动结构”技术创建了艺术品的三维调查。项目结束时,通过建立专门的网站和解释面板,对整个地区进行了改进和再开发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ravenna‘daki “Parco Della Pace”: Claude Rahir Tarafından “Le Chaos Et La Source De Vie” Adlı Mozaik Çeşmenin Restorasyonu Dış Mekânlara Açık Çağdaş Sanat Eserlerinin Korunması ve Restorasyonuna Yönelik Modern Yaklaşımlar
The “Parco della Pace” was born in Ravenna in 1988, under the initiative of the Municipality of Ravenna and with the support of International Association of Contemporary Mosaicists (AIMC) and UNESCO. Considered a real open-air museum, it preserves nine monumental works of contemporary mosaic made by internationally renowned artists. A plan for the redevelopment and enhancement of the entire park has recently been approved: the agreement between the Municipality of Ravenna, the University of Bologna, the Flaminia Foundation, and the RavennAntica Foundation made possible the restoration of the fountain mosaic “Le chaos et la source de vie” by Claude Rahir, realized in 1984. The first part of the intervention focused on a careful study of the archival documentation that provides an understanding of the artist’s spirit and volition. The restoration techniques, put in place to re-establish the artwork compromised by years of neglect and vandalization, have allowed us to compare products and methodologies now standardized with others of recent experimentation. Special attention had to be given to the problem of the integration of gaps, relating the theory of restoration applied to protected cultural heritage with the world of contemporary art. In support of the intervention a three-dimensional survey of the artwork has been created using the “Structure from motion” technique. The project ended with the enhancement and redevelopment of the entire area through the setup of a dedicated website and explanatory panels.
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CiteScore
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