《因为我不知道如何表演:塔德乌什·坎特与戏剧的现实》

IF 0.8 Q2 LAW

LAW AND CRITIQUE Pub Date : 2023-11-04 DOI:10.1007/s10978-023-09368-z

Thanos Zartaloudis

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引用次数: 0

摘要

为了纪念已故的阿里·希尔沃宁，本文讨论了戏剧的现实、悲剧的空间和伦理条件。正如希尔沃宁所要求的那样，它与他的作品进行了批判性的接触，在这样做的过程中，它考虑了伟大的波兰艺术家和戏剧导演塔德乌什·坎特(Tadeusz Kantor)对戏剧现实的独特思考。

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For I Do Not Know How to Act: Tadeusz Kantor and the Reality of Theatre

Abstract This paper presents a discussion, in honour of the late Ari Hirvonen, of the reality of theatre, the space of the tragic and the ethical condition. It engages critically with Hirvonen’s work, as he would demand it, and in doing so it considers the distinctive thinking about theatrical reality in the work of the great Polish artist and theatre director Tadeusz Kantor.

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来源期刊

LAW AND CRITIQUE LAW-

CiteScore

2.30

自引率

25.00%

发文量

期刊介绍： Law and Critique is the prime international critical legal theory journal. It has been published for 20 years and is associated with the Critical Legal Conference. Law and Critique covers all aspects of legal theory, jurisprudence and substantive law that are approached from a critical perspective. Law and Critique has introduced into legal scholarship a variety of schools of thought, such as postmodernism; feminism; queer theory; critical race theory; literary approaches to law; psychoanalysis; law and the humanities; law and aesthetics and post-colonialism. Postmodern jurisprudence, law and aesthetics and law and psychoanalysis were pioneered in Law and Critique which remains the most authoritative international source for these schools of thought. Law and Critique is keen to translate and incorporate non-English critical legal thought. More specifically, Law and Critique encourages the submission of articles in the areas of critical legal theory and history, law and literature, law and psychoanalysis, feminist legal theory, critical race theory, law and post-colonialism; postmodern jurisprudence, law and aesthetics; legal phenomenology; and law and autopoiesis. Past special issues include: ''Critical Legal Education''; ''The Gender of Law''; ''Law and Postmodernism''; ''Law and Literature''; ''Law and Post-colonialism'', ''Law and Theatre''; ''Jean-Luc Nancy and Law''; ''Agamben and Law''. Law and Critique is ranked amongst the top 20 per cent of law journals by the Australian Research Council.