透视美国理想:《哈克贝利·费恩历险记》中的暴力幽默政治

IF 0.1 0 LITERATURE
Navid Etedali
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引用次数: 0

摘要

《哈克贝利·费恩历险记》是美国幽默的巅峰之作,小说中的暴力幽默批判了美国社会的道德价值观。尽管表面上令人发笑,但故事背后隐藏着一种攻击和破坏不同价值体系的苦涩幽默。除了极端暴力的幽默外,辅助幽默完成其政治使命的策略还有荒诞和叙事。策略暴力幽默与荒诞、叙事的配合,使读者从静态的思维模式中解放出来。《哈克·费恩历险记》通过将形形色色的人物、世界和生活并列在一起,揭示了日常生活的粗鄙,有效地揭示了美国理想的虚假,尽管它声称是真实的。为此,本文借鉴了Plaza、Walker、Cox、Camfield等学者的幽默理论和Zizek、Schinkel、Galtung等学者的暴力理论,以阐明幽默、暴力、怪诞在攻击腐朽的价值体系中的相互联系的机制。通过主人公哈克(naïve),运用暴力幽默,突出了美国理想与现实之间的差距,使读者摆脱了对社会的沉迷,从偏见的价值体系中获得了清晰的视野。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Looking Through the American Ideal: The Politics of Violent Humor in The Adventures of Huckleberry Finn
Huckleberry Finn is the pinnacle of American humor and the violent humor of the novel criticizes the moral values of American society. Despite the laughter-induced surface, underneath the story lies a bitter humor which attacks and ruptures different value systems. Besides the extremely violent humor, the other strategies that aid humor in fulfilling its political mission are grotesquery, and narration. The collaboration of strategic violent humor with grotesquery and narration results in the liberation of the readers from static mind-sets. Huck Finn effectively reveals the spuriousness of the American ideal despite its claims of being genuine through juxtaposition of heterogeneous characters, worlds, and lives which reveal the crudity of everyday life. To this end, humor theories of the scholars like Plaza, Walker, Cox, and Camfield and violence theories of Zizek, Schinkel, and Galtung are drawn upon in order to clarify the interconnected mechanism of humor, violence, and grotesquery in assailing putrid value systems. Deployed violent humor aligned with focalization of the novel through Huck, a naïve narrator, highlights the disparity between the American ideal and realities of life that break the readers free from opiated visions of society and gives them a clear vision, free from biased value systems.
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