费尔克劳三维模型框架下的中国省区外文宣传片话语分析

Xiaowen Wang, Xiaolan Lei
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引用次数: 0

摘要

中国文化是地方文化的融合,深入了解地方文化就是了解中国文化。通过构建分析框架,本文不仅从韩礼德的三种元语言功能角度分析语篇模式,而且从语篇实践层面的语义连贯和互文性角度研究视觉模式、听觉模式和语篇模式的协同语篇宣传效果。本文还阐述了意识形态和话语权力在山西宣传片中的表现。研究得出结论:区域宣传片多以物质和关系过程、第三人称、无标记的主题结构为特征。多模态协同的传播效应使文本生产和消费过程中的宣传效果最大化。区域宣传片同时反映了历史、文化和政治意愿以及中国对外开放的决心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Discourse Analysis of Chinese Provincial and Regional Foreign Promotional Videos in the Framework of Fairclough’s Three-Dimensional Model
Chinese culture is a convergence of local cultures, and an in-depth understanding of local culture is the same as an understanding of Chinese culture. By constructing analysis framework, this paper not only analyzes text mode from the perspective of Halliday’s three meta-language functions, but also studies collaborative discourse propaganda effect of visual mode, auditory mode, and text mode from the perspective of semantic coherence and intertextuality at the level of discourse practice. This paper also expounds the performance of ideology and discourse power in propaganda film of Shanxi Province. The study has drawn the conclusion that regional propaganda films are mostly characterized by material and relational processes, third-person, and unmarked theme structure. Communication effect of multimodal synergy maximizes propaganda effect during text production and consumption. And regional propaganda films reflect the historical, cultural and political will and China’s determination to open up to the outside world at the same time.
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