{"title":"戏剧舞台上的数字媒体技术","authors":"","doi":"10.25236/far.2023.051203","DOIUrl":null,"url":null,"abstract":"This study delves into integrating new media technologies in contemporary theatre stage design and their consequent effects on the audience's perception. Incorporating virtual reality, projection mapping, advanced screen displays, and artificial intelligence has redefined conventional stage design paradigms and broadened the horizons of performative spaces. By examining works like Cinematique (2015), multiple renditions of The Magic Flute (1995, 2012, 2019), Heaven Gaia (2021 Chinese New Year Edition), and An Imperial Banquet in the TANG Dynasty (2021 Henan TV Spring Festival Edition), this paper elucidates both the augmentative and detrimental potentialities of new media in theatre. While adept incorporation of these technologies can yield immersive and interactive experiences, overindulgence may detract from the intrinsic artistic narrative. Thus, designers are tasked with judiciously harnessing new media avenues to complement, rather than eclipse, the core performance.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"280 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digital Media Technology on the Theatre Stage\",\"authors\":\"\",\"doi\":\"10.25236/far.2023.051203\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study delves into integrating new media technologies in contemporary theatre stage design and their consequent effects on the audience's perception. Incorporating virtual reality, projection mapping, advanced screen displays, and artificial intelligence has redefined conventional stage design paradigms and broadened the horizons of performative spaces. By examining works like Cinematique (2015), multiple renditions of The Magic Flute (1995, 2012, 2019), Heaven Gaia (2021 Chinese New Year Edition), and An Imperial Banquet in the TANG Dynasty (2021 Henan TV Spring Festival Edition), this paper elucidates both the augmentative and detrimental potentialities of new media in theatre. While adept incorporation of these technologies can yield immersive and interactive experiences, overindulgence may detract from the intrinsic artistic narrative. Thus, designers are tasked with judiciously harnessing new media avenues to complement, rather than eclipse, the core performance.\",\"PeriodicalId\":483327,\"journal\":{\"name\":\"Frontiers in art research\",\"volume\":\"280 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Frontiers in art research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25236/far.2023.051203\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frontiers in art research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25236/far.2023.051203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This study delves into integrating new media technologies in contemporary theatre stage design and their consequent effects on the audience's perception. Incorporating virtual reality, projection mapping, advanced screen displays, and artificial intelligence has redefined conventional stage design paradigms and broadened the horizons of performative spaces. By examining works like Cinematique (2015), multiple renditions of The Magic Flute (1995, 2012, 2019), Heaven Gaia (2021 Chinese New Year Edition), and An Imperial Banquet in the TANG Dynasty (2021 Henan TV Spring Festival Edition), this paper elucidates both the augmentative and detrimental potentialities of new media in theatre. While adept incorporation of these technologies can yield immersive and interactive experiences, overindulgence may detract from the intrinsic artistic narrative. Thus, designers are tasked with judiciously harnessing new media avenues to complement, rather than eclipse, the core performance.
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