印度斯坦古典音乐及其原理

Meikam Thoiba Singh, Khangembam Rajeshwari Devi
{"title":"印度斯坦古典音乐及其原理","authors":"Meikam Thoiba Singh, Khangembam Rajeshwari Devi","doi":"10.29121/shodhkosh.v4.i2.2023.218","DOIUrl":null,"url":null,"abstract":"Indian classical music is one of the most accomplished ancient art forms of the world. This music tradition represents music of different genres which has been merged with ritualistic, folk, and cultural expression of the landmass. The history of Indian music can be broadly divided into three major periods as- Ancient, Medieval and Modern. Indian music has a highly coloured and fascinating history of the legends and traditions to be found in the ancient texts, conserved, and passed down through the continuing cycles of ages, and the ravages of time. Indian music had stably stood as an original and ancient along its norms, and systems that had been handed through generations from ancient period and Medieval period passing on the Modern period with all the musical texts- oral and written scriptures ceremonies and performances in the present forms and features abounding in historical perspectives. The communication of different musical styles endemic and multicultural has resulted in the two broad tradition of Indian classical music i.e., North Indian classical music (Hindustani music) and South Indian classical music (Carnatic music) which has evolved into two distinct forms. Even though there are differences in the forms and styles of these two music systems, the basic elements of swara, raga and tala are the foundation of both the system. Raga works to elaborate and explore the melodic and emotional prospects of various sets of notes merge with tala. Tala measures the time cycle of the creative framework of raga for rhythmic improvisation using time. It attains its full form with the contribution of great scholars, musician and composers who mainly emphasized on the modern theory of music standardization of musical material techniques of Raga developments, principles of the music system which attempts to form a new era in Hindustani music.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"121 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"HINDUSTANI CLASSICAL MUSIC AND ITS PRINCIPLES\",\"authors\":\"Meikam Thoiba Singh, Khangembam Rajeshwari Devi\",\"doi\":\"10.29121/shodhkosh.v4.i2.2023.218\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Indian classical music is one of the most accomplished ancient art forms of the world. This music tradition represents music of different genres which has been merged with ritualistic, folk, and cultural expression of the landmass. The history of Indian music can be broadly divided into three major periods as- Ancient, Medieval and Modern. Indian music has a highly coloured and fascinating history of the legends and traditions to be found in the ancient texts, conserved, and passed down through the continuing cycles of ages, and the ravages of time. Indian music had stably stood as an original and ancient along its norms, and systems that had been handed through generations from ancient period and Medieval period passing on the Modern period with all the musical texts- oral and written scriptures ceremonies and performances in the present forms and features abounding in historical perspectives. The communication of different musical styles endemic and multicultural has resulted in the two broad tradition of Indian classical music i.e., North Indian classical music (Hindustani music) and South Indian classical music (Carnatic music) which has evolved into two distinct forms. Even though there are differences in the forms and styles of these two music systems, the basic elements of swara, raga and tala are the foundation of both the system. Raga works to elaborate and explore the melodic and emotional prospects of various sets of notes merge with tala. Tala measures the time cycle of the creative framework of raga for rhythmic improvisation using time. It attains its full form with the contribution of great scholars, musician and composers who mainly emphasized on the modern theory of music standardization of musical material techniques of Raga developments, principles of the music system which attempts to form a new era in Hindustani music.\",\"PeriodicalId\":478592,\"journal\":{\"name\":\"ShodhKosh Journal of Visual and Performing Arts\",\"volume\":\"121 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ShodhKosh Journal of Visual and Performing Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29121/shodhkosh.v4.i2.2023.218\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ShodhKosh Journal of Visual and Performing Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.218","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

印度古典音乐是世界上最成熟的古代艺术形式之一。这种音乐传统代表了不同类型的音乐,这些音乐与大陆的仪式、民间和文化表达相融合。印度音乐史大致可分为古代、中世纪和现代三个主要时期。印度音乐有着丰富多彩的迷人的历史,传说和传统可以在古老的文本中找到,在持续的时代循环和时间的蹂躏中保存下来,并流传下来。印度音乐一直稳定地保持着其原始和古老的规范和系统,从古代和中世纪时期代代相传,一直到现代,所有的音乐文本,口头和书面的经文,仪式和表演都以现在的形式和特征丰富的历史观点。不同的音乐风格地方性和多元文化的交流导致了印度古典音乐的两大传统,即北印度古典音乐(印度斯坦音乐)和南印度古典音乐(卡纳蒂克音乐),它们已经演变成两种不同的形式。尽管这两个音乐系统在形式和风格上存在差异,但swara, raga和tala的基本元素是这两个系统的基础。拉格的作品阐述和探索的旋律和情感前景的各种组的音符与塔拉合并。塔拉测量了拉格创作框架的时间周期,利用时间进行有节奏的即兴创作。在伟大的学者,音乐家和作曲家的贡献下,它达到了完整的形式,他们主要强调现代音乐理论,音乐材料的标准化,拉格发展的技术,音乐系统的原则,试图在印度斯坦音乐中形成一个新时代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
HINDUSTANI CLASSICAL MUSIC AND ITS PRINCIPLES
Indian classical music is one of the most accomplished ancient art forms of the world. This music tradition represents music of different genres which has been merged with ritualistic, folk, and cultural expression of the landmass. The history of Indian music can be broadly divided into three major periods as- Ancient, Medieval and Modern. Indian music has a highly coloured and fascinating history of the legends and traditions to be found in the ancient texts, conserved, and passed down through the continuing cycles of ages, and the ravages of time. Indian music had stably stood as an original and ancient along its norms, and systems that had been handed through generations from ancient period and Medieval period passing on the Modern period with all the musical texts- oral and written scriptures ceremonies and performances in the present forms and features abounding in historical perspectives. The communication of different musical styles endemic and multicultural has resulted in the two broad tradition of Indian classical music i.e., North Indian classical music (Hindustani music) and South Indian classical music (Carnatic music) which has evolved into two distinct forms. Even though there are differences in the forms and styles of these two music systems, the basic elements of swara, raga and tala are the foundation of both the system. Raga works to elaborate and explore the melodic and emotional prospects of various sets of notes merge with tala. Tala measures the time cycle of the creative framework of raga for rhythmic improvisation using time. It attains its full form with the contribution of great scholars, musician and composers who mainly emphasized on the modern theory of music standardization of musical material techniques of Raga developments, principles of the music system which attempts to form a new era in Hindustani music.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信