“用旋律填补空白”:治疗师对使用GarageBand进行成人抑郁症音乐治疗的集体歌曲创作的反思

IF 0.7 Q4 REHABILITATION
Cornelia Bent, Donald Wetherick, Catherine Elizabeth Carr
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引用次数: 0

摘要

歌曲创作广泛用于个人音乐治疗,但很少用于团体。本文借鉴了作者利用歌曲创作促进成人重度抑郁症音乐治疗小组的经验。这项工作是SYNCHRONY研究的一部分,由国家卫生研究所资助,以评估在社区内长期抑郁症患者(1年或更长时间)进行一项随机对照试验,团体音乐疗法与歌曲创作成分的可行性。作者(研究中的所有音乐治疗师)描述了他们对小组过程和歌曲创作使用的经验和思考,利用半结构化访谈作为研究的一部分。这项工作的主题包括预先创作的歌曲,这是一种更容易接触的方式来谈论困难的经历,音乐即兴创作为歌曲创作创造了一个环境,出席困难对团队凝聚力和歌曲创作过程的影响,通过歌曲开发和录制建立信心,以及围绕最终过程和创作歌曲专辑的考虑。这些都是用临床插图来说明的。并对实践提出了一些建议。作者希望在社区心理健康背景下确定歌曲创作方法的潜力和挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Filling the void with melody’: Therapists’ reflections on group songwriting using GarageBand in music therapy for adults with depression
Songwriting is widely used in individual music therapy but less often in groups. This article draws on the authors’ experience of facilitating music therapy groups for adults with severe depression using songwriting. This work was part of the SYNCHRONY study, funded by the National Institute for Health Research, to assess the feasibility of conducting a randomised controlled trial of group music therapy with a songwriting component for patients with long-term depression (1 year or longer) within the community. The authors (all music therapists in the study) describe their experiences and reflections on the group processes and use of songwriting, drawing on semi-structured interviews conducted as part of the study. Themes of the work included pre-composed songs as a more accessible way to talk about difficult experiences, musical improvisation enabling an environment for songwriting, the impact of difficulties in attendance on group cohesion and the songwriting process, building confidence through song development and recording, and considerations around the end process and creating the song album. These are illustrated with clinical vignettes. Some recommendations for practice are also offered. The authors hope to identify the potentials and challenges of a songwriting approach in a community mental health context.
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