{"title":"中国银幕作为一个批判的艺术问题:要陈述的问题","authors":"Zhang Wenpu","doi":"10.31166/voprosyistorii202309statyi25","DOIUrl":null,"url":null,"abstract":"The article is devoted to the problem of including the phenomenon of the Chinese screen in the art criticism discourse. Based on the systematization of the available scientific literature, the study discusses the problems of considering the Chinese screen from the standpoint of art history and reveals a number of promising areas of research. The study concludes that the Chinese screen is still often undervalued in science.","PeriodicalId":46064,"journal":{"name":"VOPROSY ISTORII","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Chinese screen as a critical art issue: to the statement of the question\",\"authors\":\"Zhang Wenpu\",\"doi\":\"10.31166/voprosyistorii202309statyi25\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the problem of including the phenomenon of the Chinese screen in the art criticism discourse. Based on the systematization of the available scientific literature, the study discusses the problems of considering the Chinese screen from the standpoint of art history and reveals a number of promising areas of research. The study concludes that the Chinese screen is still often undervalued in science.\",\"PeriodicalId\":46064,\"journal\":{\"name\":\"VOPROSY ISTORII\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"VOPROSY ISTORII\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31166/voprosyistorii202309statyi25\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"VOPROSY ISTORII","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31166/voprosyistorii202309statyi25","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Chinese screen as a critical art issue: to the statement of the question
The article is devoted to the problem of including the phenomenon of the Chinese screen in the art criticism discourse. Based on the systematization of the available scientific literature, the study discusses the problems of considering the Chinese screen from the standpoint of art history and reveals a number of promising areas of research. The study concludes that the Chinese screen is still often undervalued in science.
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