在都灵的摩德纳和其他伦巴第鞑靼碎片

IF 0.1 2区 艺术学 0 ART
Alessia Marzo
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引用次数: 0

摘要

摘要:本文研究了都灵城市艺术博物馆(Museo Civico d’arte Antica)中七个未发表的照明碎片,并将其置于伦巴第晚期哥特式书籍照明的背景下。由摩德纳时间书的主人装饰的圣徒公地和公地的反图书馆部分重建。一幅描绘圣母像的微缩画可以追溯到这位大师的杰作之一——《帕尔马时光书》。著名的施洗者圣约翰的微型画像是一本遗失的《小时经》中仅存的与米切利诺·达·贝索佐的模型密切相关的作品,而圣奥古斯丁的首字母则可以追溯到帕维亚制作的一幅遗失的反phonary,可能是1485年左右劳拉·博西大师的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nuove miniature del Maestro del Libro d’Ore di Modena e altri frammenti tardogotici lombardi a Torino
Abstract Seven unpublished illuminated fragments from the Museo Civico d’Arte Antica in Turin are examined and placed in the context of Lombard Late Gothic book illumination. An antiphonary with Proper and Commons of Saints decorated by the Master of the Modena Book of Hours is partially reconstructed. A miniature depicting the Imago Pietatis is traced back to one of that master’s masterpieces, the Parma Book of Hours. The well-known miniature with Saint John the Baptist is all that survives of a lost Book of Hours closely related to Michelino da Besozzo’s models, while an initial with Saint Augustine is traced back to a lost antiphonary made in Pavia, perhaps to be ascribed to the Master of Laura Bossi around 1485.
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CiteScore
0.10
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26
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