人间天堂

IF 0.4 0 RELIGION
Caroline Tully
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引用次数: 0

摘要

Feraferia,“对荒野的爱文化”,是一种当代异教,庆祝人类与自然的情爱结合。这是艺术家弗雷德里克·亚当斯(Frederick Adams, 1928-2008)的创意,他在1956年设想了一个普遍的女神,随后将自己奉献给了神圣的女性,名为Korê的“荒野女神”。1967年正式成立,成为美国历史上第二个异教教会,至今仍很活跃。在这里,我通过生态批判的视角来审视ferfereria,特别关注树木的作用,将自然拟人化为年轻女性的身体,生态性行为和henges的构建;圆形结构与当地地形一致,用作季节和天文日历,其中使用仪式魔法和“精灵魔法”,以治愈和振兴自然世界。我证明了菲菲里亚对世界的迷恋与当代生态活动家的思想,特别是生态女性主义和生态性行为产生了共鸣。我的结论是,费菲里亚的许多生态精神概念在今天仍有价值,因为它们可以提高人们对现实物质世界中人类处境的自觉意识,无论是在我们自己的星球上,还是在更广阔的宇宙周围空间中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Paradise on Earth
Feraferia, ‘a love culture for wilderness’, is a contemporary Pagan religion that celebrates humans’ erotic union with Nature. It was the brainchild of artist, Frederick Adams (1928–2008), who in 1956 had a vision of a universal goddess and subsequently devoted himself to the divine feminine as a ‘Maiden Goddess of the Wilderness’ called Korê. Formally incorporated in 1967, Feraferia became the second Pagan church in US history, and it is still active today. Herein I examine Feraferia through an ecocritical lens, with a particular focus on the role of trees, the anthropomorphisation of nature envisioned as a young female body, ecosexuality, and the construction of henges; circular structures aligned with local topography, used as seasonal and astronomical calendars wherein ritual magic and ‘faerie enchantment’ are employed in order to heal and revitalise the natural world. I demonstrate that Feraferia’s enchanted approach to the world resonates with contemporary ecological activist thought, particularly ecofeminism and ecosexuality. I conclude that many of Feraferia’s ecospiritual concepts have value today because they can heighten conscious awareness of human situatedness within the real physical world, both on our own planet as well as within the wider surrounding space of our part of the universe.
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CiteScore
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