透过霸王龙的眼睛:恐龙小说中的动物行为

Luke-Elizabeth Gartley
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引用次数: 0

摘要

动物视角小说(有时也被称为“异域小说”)是现代出现的一种小众类型。从动物的角度出发的散文小说和漫画都能提供对动物行为、自然和更广泛的环境的文化理解的独特见解。这篇文章专门探讨了恐龙的观点小说,有时甚至是由专业古生物学家撰写或得到专业古生物学家的支持。通过20世纪90年代至2010年代出版的几部流行的恐龙小说和漫画,本文将研究这些文本如何说明科学理解的虚构表现如何符合或挑战围绕自然世界,性别和权力的主导叙事。这些故事,包括斯蒂芬·比塞特未完成的漫画系列《暴君》(1993-1996)、罗伯特·巴克的小说《猛禽红》(1995),以及最近塔德·格鲁沙的图画小说《白垩纪》(2019),使用创造性的讲故事技巧来娱乐读者,同时也代表和参与古生物学和动物行为的科学论述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Through the Eyes of the T. rex: Animal Behavior in Dinosaur Fiction
Animal point-of-view fiction (also sometimes called “xenofiction”) is a niche genre that emerged in the modern era. Both prose fiction and comics told from an animal point-of-view can offer unique insights into cultural understandings of animal behavior, nature, and the environment more broadly. This article delves specifically into dinosaur point-of-view fiction, which at times has even been written by or with support from professional paleontologists. Through several popular examples of dinosaur fiction and comics published from the 1990s to the 2010s, this article will examine how these texts illustrate how fictional representations of scientific understandings conform to or challenge dominant narratives around the natural world, gender, and power. These stories, including Stephen Bissette’s unfinished comic series Tyrant (1993–1996), and Robert Bakker’s novel Raptor Red (1995), and most recently Tadd Galusha’s graphic novel Cretaceous (2019), use creative storytelling techniques to entertain readers, while also representing and participating in scientific discourses of paleontology and animal behavior.
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