布宁短篇小说《干谷》中的“一个奇怪的神秘村庄”:对来源问题的探讨

Natalia V. Mokina
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摘要

本文研究的主题是布宁短篇小说中的干谷形象及其可能的来源。作者认为,布宁的短篇小说及其所体现的民族生活和国民性观念的主要先例文本是陀思妥耶夫斯基的小说《卡拉马佐夫兄弟》(研究者已经注意到)和别雷的《银鸽》。布宁既与作家争论,又发展了他们对俄国性格和俄国生活本质的看法。陀思妥耶夫斯基小说“存在”的标志,以及陀思妥耶夫斯基传记的事实,是主要的情节碰撞、干谷居民的心理特征(他们的奇怪、热情、姿势等)和地名。别利的小说通过关键的二律背反来理解俄罗斯人的命运(西方-东方,文明-原始世界,神圣-恶魔,天堂-地狱),地点(庄园和村庄),物质细节和英雄的名字。与此同时,在干谷的生活中,人们也可以看到普遍规律的体现,布宁的这种想法是在短篇小说《厄榭府的倒塌》的作者埃德加·艾伦·坡的艺术发现的影响下发展起来的。这可以从两个作品的诗学基础——关于外部世界,包括无机世界,与一个人的灵魂和命运的联系,以及它的表现形式(在描述财产、自然、人物的外表和他们的内心世界等方面,共同的参考母题和色彩占主导地位),以及图像系统中得到证明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A strange mystical village” in Bunin’s short novel Dry Valley: To the problem of sources
The subject of research in the article is the image of the Dry Valley in Bunin’s short novel and its possible sources. The author believes that the main precedent texts for Bunin’s short novel and the concept of national life and national character embodied in it, are the novels by Fyodor Dostoevsky The Brothers Karamazov (as the researchers have already noted) and The Silver Dove by Andrey Bely. Bunin both argues with the writers and develops their ideas about the essence of the Russian character and the Russian life. The signs pointing at the ‘presence’ of Dostoevsky’s novel, as well as the facts of the writer’s biography, are the main plot collisions, special features of the psychology of the Dry Valley dwellers (their strangeness, warm-heartedness, posing etc.) and place-names. The novel by A. Bely is referred to by key antinomies in understanding the fate of the Russian person (West – East, civilization – primitive world, sacred – demonic, heaven – hell), loci (manor and village), material details and the names of the heroes. At the same time, in the Dry Valley life one can also see the manifestation of universal laws, the idea of which Bunin develops under the influence of the artistic discoveries of Edgar Alan Poe, the author of the short story The Fall of the House of Usher. This is evidenced by the idea, fundamental for the poetics of the two works, about the connection of the external world, including the inorganic one, with the soul and the fate of a person, and the form of its representation (common reference motifs and color dominants in the description of the estate, the nature, the appearance of the characters and their inner worlds, etc.), as well as the system of images.
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