{"title":"燃烧的欲望:桑给巴尔妇女在纳妾和枪口婚姻的阵痛","authors":"R. M. Abusharaf","doi":"10.1215/2834698x-10739269","DOIUrl":null,"url":null,"abstract":"Abstract This article examines the two instances of concubinage (suria) during the Omani rule of Zanzibar and the Ndoa Za Karume Forced Marriage Act that followed the revolution in 1964 on the island. Both practices can be seen as laboratories in which the complexities of sex and power were in full display. Throughout, the author draws inspiration from anthropologist Tim Ingold's theory of human correspondence alongside valuable insights from the intersection of black feminist thought and humanistic anthropology to deepen our understanding of both concubinage and forced marriage as forms of sexual bondage occurring within particular political circumstances and historical realities. For indeed, both objectifying practices assumed a variety of meanings in colonial and postrevolutionary Zanzibar. When conjugating suria and ndoa within the complex grammar of race, class, and gender, we also often encounter inconsistencies inherent in fraught human relationships and furthered by the marked fluidities and slippages of both practices and their varying connotative, pragmatic, and ideational significances. Was the Ndoa za Karume an act of retribution against concubinage? Or was it a contribution to a nation-building project in a society adrift? To consider these questions, the article draws on a variety of ethnographic insights gathered in Zanzibar and Oman between 2016 and 2019 and a constellation of texts, including archives, local historiographies, a collection of Swahili statements for and against ndoa possessed by an interlocutor, memoirs, and other field notes gathered in 2020–21. The article explores what was at stake in these two parallel modes of exploiting women's bodies, arguing that they cannot be understood in isolation from their “correspondences” and the emotionality manifested in both gendered social dramas.","PeriodicalId":481480,"journal":{"name":"Monsoon","volume":"6 2-3","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Burning Desires: Zanzibari Women in the Throes of Concubinage and Gunpoint Matrimony\",\"authors\":\"R. M. Abusharaf\",\"doi\":\"10.1215/2834698x-10739269\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article examines the two instances of concubinage (suria) during the Omani rule of Zanzibar and the Ndoa Za Karume Forced Marriage Act that followed the revolution in 1964 on the island. Both practices can be seen as laboratories in which the complexities of sex and power were in full display. Throughout, the author draws inspiration from anthropologist Tim Ingold's theory of human correspondence alongside valuable insights from the intersection of black feminist thought and humanistic anthropology to deepen our understanding of both concubinage and forced marriage as forms of sexual bondage occurring within particular political circumstances and historical realities. For indeed, both objectifying practices assumed a variety of meanings in colonial and postrevolutionary Zanzibar. When conjugating suria and ndoa within the complex grammar of race, class, and gender, we also often encounter inconsistencies inherent in fraught human relationships and furthered by the marked fluidities and slippages of both practices and their varying connotative, pragmatic, and ideational significances. Was the Ndoa za Karume an act of retribution against concubinage? Or was it a contribution to a nation-building project in a society adrift? To consider these questions, the article draws on a variety of ethnographic insights gathered in Zanzibar and Oman between 2016 and 2019 and a constellation of texts, including archives, local historiographies, a collection of Swahili statements for and against ndoa possessed by an interlocutor, memoirs, and other field notes gathered in 2020–21. The article explores what was at stake in these two parallel modes of exploiting women's bodies, arguing that they cannot be understood in isolation from their “correspondences” and the emotionality manifested in both gendered social dramas.\",\"PeriodicalId\":481480,\"journal\":{\"name\":\"Monsoon\",\"volume\":\"6 2-3\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Monsoon\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/2834698x-10739269\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Monsoon","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/2834698x-10739269","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文考察了阿曼统治桑给巴尔期间的纳妾(suria)和1964年桑给巴尔革命后的Ndoa Za Karume强迫婚姻法的两个例子。这两种实践都可以被看作是充分展示性和权力复杂性的实验室。贯穿全书,作者从人类学家蒂姆·英格戈尔德的人类通信理论中汲取灵感,同时从黑人女权主义思想和人文人类学的交叉点中获得宝贵的见解,加深我们对纳妾和强迫婚姻作为性奴役形式在特定政治环境和历史现实中发生的理解。事实上,这两种物化实践在殖民时期和革命后的桑给巴尔都有不同的含义。当在种族、阶级和性别的复杂语法中结合suria和ndoa时,我们也经常遇到令人担忧的人际关系中固有的不一致性,并且由于两种实践的显著流动性和滑移以及它们不同的内涵、语用和概念意义而进一步加剧。Ndoa za Karume是对纳妾行为的一种报复吗?还是对一个漂泊不定的社会的国家建设项目的贡献?为了考虑这些问题,本文借鉴了2016年至2019年期间在桑给巴尔和阿曼收集的各种民族志见解,以及一系列文本,包括档案、当地历史文献、对话者拥有的斯瓦希里语支持和反对恩多阿的声明集、回忆录和2020-21年收集的其他实地笔记。这篇文章探讨了这两种剥削女性身体的平行模式的危险之处,认为不能脱离她们的“对应”和两性社会戏剧中表现出来的情感来理解它们。
Burning Desires: Zanzibari Women in the Throes of Concubinage and Gunpoint Matrimony
Abstract This article examines the two instances of concubinage (suria) during the Omani rule of Zanzibar and the Ndoa Za Karume Forced Marriage Act that followed the revolution in 1964 on the island. Both practices can be seen as laboratories in which the complexities of sex and power were in full display. Throughout, the author draws inspiration from anthropologist Tim Ingold's theory of human correspondence alongside valuable insights from the intersection of black feminist thought and humanistic anthropology to deepen our understanding of both concubinage and forced marriage as forms of sexual bondage occurring within particular political circumstances and historical realities. For indeed, both objectifying practices assumed a variety of meanings in colonial and postrevolutionary Zanzibar. When conjugating suria and ndoa within the complex grammar of race, class, and gender, we also often encounter inconsistencies inherent in fraught human relationships and furthered by the marked fluidities and slippages of both practices and their varying connotative, pragmatic, and ideational significances. Was the Ndoa za Karume an act of retribution against concubinage? Or was it a contribution to a nation-building project in a society adrift? To consider these questions, the article draws on a variety of ethnographic insights gathered in Zanzibar and Oman between 2016 and 2019 and a constellation of texts, including archives, local historiographies, a collection of Swahili statements for and against ndoa possessed by an interlocutor, memoirs, and other field notes gathered in 2020–21. The article explores what was at stake in these two parallel modes of exploiting women's bodies, arguing that they cannot be understood in isolation from their “correspondences” and the emotionality manifested in both gendered social dramas.