海报是时间的镜子还是刻板印象的反映?苏联卫国战争海报中的女性形象

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Daria Y. Ermilova
{"title":"海报是时间的镜子还是刻板印象的反映?苏联卫国战争海报中的女性形象","authors":"Daria Y. Ermilova","doi":"10.37816/2073-9567-2023-69-56-72","DOIUrl":null,"url":null,"abstract":"The paper explores female images of posters of the Second World War. It was important to find out how the world of images corresponded to the challenges of the time and how adequately it reflected this time. This approach reveals that the constructed world is not identical to reality — it does not reflect all the roles that women performed, especially in the USSR. The image of the Motherland was the main thing on Soviet posters for the front and less often — the reward for Victory and victims. The posters for the rear were dominated by the image of a working woman. Unlike American and British posters with young “female friends”, Soviet posters depicted women more realistically – and there are almost no women in military uniforms on Soviet ones, although posters of the second half of the 1930s often depicted women of “male” professions (scientists, doctors, pilots, etc.). During the war, such images disappeared completely. There are no images of pilots, snipers, radio operators on Soviet posters, although they are reflected in other types of art. The main reason is seemingly the fact that military propaganda created a masculine image of a warrior-defender, while women were assigned to the traditional gender roles of mother, faithful friend, keeper of the hearth or a symbol of the Motherland. The experience of World War II propaganda, which focused on visual images, may be valuable for modernity, despite the specifics of communications in the digital world.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"41 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Is Poster a Mirror of Time or Reflection of Stereotypes? Female Images on Soviet Posters of the Great Patriotic War\",\"authors\":\"Daria Y. Ermilova\",\"doi\":\"10.37816/2073-9567-2023-69-56-72\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper explores female images of posters of the Second World War. It was important to find out how the world of images corresponded to the challenges of the time and how adequately it reflected this time. This approach reveals that the constructed world is not identical to reality — it does not reflect all the roles that women performed, especially in the USSR. The image of the Motherland was the main thing on Soviet posters for the front and less often — the reward for Victory and victims. The posters for the rear were dominated by the image of a working woman. Unlike American and British posters with young “female friends”, Soviet posters depicted women more realistically – and there are almost no women in military uniforms on Soviet ones, although posters of the second half of the 1930s often depicted women of “male” professions (scientists, doctors, pilots, etc.). During the war, such images disappeared completely. There are no images of pilots, snipers, radio operators on Soviet posters, although they are reflected in other types of art. The main reason is seemingly the fact that military propaganda created a masculine image of a warrior-defender, while women were assigned to the traditional gender roles of mother, faithful friend, keeper of the hearth or a symbol of the Motherland. The experience of World War II propaganda, which focused on visual images, may be valuable for modernity, despite the specifics of communications in the digital world.\",\"PeriodicalId\":41255,\"journal\":{\"name\":\"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal\",\"volume\":\"41 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37816/2073-9567-2023-69-56-72\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37816/2073-9567-2023-69-56-72","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

本文探讨了二战海报中的女性形象。重要的是要找出图像世界如何与时代的挑战相对应,以及它如何充分反映这个时代。这种做法表明,构建的世界与现实并不相同- -它没有反映妇女所发挥的所有作用,特别是在苏联。在苏联的前线海报上,祖国的形象是最主要的,而很少出现的是对胜利和牺牲者的奖励。后方的海报主要是一个职业妇女的形象。不像美国和英国的海报上有年轻的“女性朋友”,苏联的海报更真实地描绘了女性——苏联海报上几乎没有穿军装的女性,尽管20世纪30年代后半期的海报经常描绘“男性”职业的女性(科学家、医生、飞行员等)。在战争期间,这样的图像完全消失了。苏联海报上没有飞行员、狙击手、无线电操作员的形象,尽管他们在其他类型的艺术中有所反映。主要原因似乎是军事宣传创造了一个战士-捍卫者的男性形象,而女性则被分配到传统的性别角色,如母亲,忠实的朋友,壁炉的守护者或祖国的象征。第二次世界大战宣传的经验,侧重于视觉图像,可能是有价值的现代,尽管具体的通信在数字世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Is Poster a Mirror of Time or Reflection of Stereotypes? Female Images on Soviet Posters of the Great Patriotic War
The paper explores female images of posters of the Second World War. It was important to find out how the world of images corresponded to the challenges of the time and how adequately it reflected this time. This approach reveals that the constructed world is not identical to reality — it does not reflect all the roles that women performed, especially in the USSR. The image of the Motherland was the main thing on Soviet posters for the front and less often — the reward for Victory and victims. The posters for the rear were dominated by the image of a working woman. Unlike American and British posters with young “female friends”, Soviet posters depicted women more realistically – and there are almost no women in military uniforms on Soviet ones, although posters of the second half of the 1930s often depicted women of “male” professions (scientists, doctors, pilots, etc.). During the war, such images disappeared completely. There are no images of pilots, snipers, radio operators on Soviet posters, although they are reflected in other types of art. The main reason is seemingly the fact that military propaganda created a masculine image of a warrior-defender, while women were assigned to the traditional gender roles of mother, faithful friend, keeper of the hearth or a symbol of the Motherland. The experience of World War II propaganda, which focused on visual images, may be valuable for modernity, despite the specifics of communications in the digital world.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
48
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信