{"title":"中国传统戏曲民间性的表现与雅俗宜的审美追求——蔡树鹏潮剧选集","authors":"Chen Jun","doi":"10.35534/fttr.0303001","DOIUrl":null,"url":null,"abstract":"蔡曙鹏的潮剧创作既有来自民间的精魂及其世俗品格,又有来自他作为戏剧学者的雅化改造和提升,最终呈现出雅俗共赏的审美追求,较好地推动了他的作品在世界范围的传播和接受。蔡曙鹏的潮剧创作较好地实现了传统民间传说及民间故事的现代传承与传播,其戏曲民间性的彰显和雅俗共赏的审美追求对今后戏曲创作和演出具有启示意义和借鉴价值。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Manifestation of Folkishness of Traditional Chinese Opera and An Aesthetic Pursuit of Suiting both Refined and Popular Tastes: On The Anthology of Cai Shupeng’s Chao Opera\",\"authors\":\"Chen Jun\",\"doi\":\"10.35534/fttr.0303001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"蔡曙鹏的潮剧创作既有来自民间的精魂及其世俗品格,又有来自他作为戏剧学者的雅化改造和提升,最终呈现出雅俗共赏的审美追求,较好地推动了他的作品在世界范围的传播和接受。蔡曙鹏的潮剧创作较好地实现了传统民间传说及民间故事的现代传承与传播,其戏曲民间性的彰显和雅俗共赏的审美追求对今后戏曲创作和演出具有启示意义和借鉴价值。\",\"PeriodicalId\":66055,\"journal\":{\"name\":\"戏剧与影视评论\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"戏剧与影视评论\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35534/fttr.0303001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"戏剧与影视评论","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35534/fttr.0303001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A Manifestation of Folkishness of Traditional Chinese Opera and An Aesthetic Pursuit of Suiting both Refined and Popular Tastes: On The Anthology of Cai Shupeng’s Chao Opera