“瘸腿”图形医学

Q2 Social Sciences
Rachael A. Zubal-Ruggieri, Diane R. Wiener
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引用次数: 0

摘要

文章为“残缺”的图形医学提供了理论框架和实践建议。它首先介绍了Covid-19时代的“残缺”图形医学的背景,然后分享了“残缺”的定义以及“残缺”图形医学的一些方法和例子。本文讨论了图形医学与残疾研究之间的复杂关系。还讨论了Smith和Alaniz的《不可思议的身体:超级英雄漫画和残疾》,以及它在说明残疾研究如何被用来“削弱”图形医学方面的作用。“搞垮”图形医学的更多例子来自“搞垮”动漫展研讨会。最后一部分讨论并探讨了作者作为疯狂酷儿瘸子的立场,他们的瘸子学影响和定位了“瘸子”图形医学的合作方法——包括本文的写作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Cripping” Graphic Medicine
The article offers a theoretical framework and proposes practices for a “cripped” graphic medicine. It begins by contextualizing a “cripped” graphic medicine in the age of Covid-19, then shares definitions of “cripping” and some approaches to and examples of “cripping” graphic medicine. The article discusses the complex relationship(s) between graphic medicine and disability studies. Also discussed is Smith and Alaniz’s Uncanny Bodies: Superhero Comics and Disability and its role in illustrating how disability studies can be used to “crip” graphic medicine. Further examples for “cripping” graphic medicine are offered from the “‘Cripping’ the Comic Con” symposium. The final section discusses and explores the authors’ positionalities as Mad Queer Crips, whose cripistemologies influence and situate collaborative approaches toward “cripping” graphic medicine—including the writing of this article.
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来源期刊
Journal of Literary and Cultural Disability Studies
Journal of Literary and Cultural Disability Studies Social Sciences-Social Sciences (all)
CiteScore
1.50
自引率
0.00%
发文量
31
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