{"title":"间隙:杰克·斯派塞诗歌中的专有名词和其他干扰","authors":"Jim Goar","doi":"10.1353/lit.2023.a908885","DOIUrl":null,"url":null,"abstract":"ABSTRACT: Proper names in Jack Spicer's poems mark areas of uncertainty, spreading. This uncertainty stems not only from the divide between the names (sometimes the same name), but also by their use as \"disturbances,\" exacerbating this already disorderly space above the real. This article, in search of the real Spicer spoke of, turns to this unstable gulf itself, and through the disturbances that mark it, explores a poetics that breaks from the crystalized structure of William Carlos Williams's \"The Red Wheelbarrow\" and diverges from the Modernism that preceded it.","PeriodicalId":44728,"journal":{"name":"COLLEGE LITERATURE","volume":"102 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Space Between: Proper Names and Other Disturbances in Jack Spicer's Poetry\",\"authors\":\"Jim Goar\",\"doi\":\"10.1353/lit.2023.a908885\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT: Proper names in Jack Spicer's poems mark areas of uncertainty, spreading. This uncertainty stems not only from the divide between the names (sometimes the same name), but also by their use as \\\"disturbances,\\\" exacerbating this already disorderly space above the real. This article, in search of the real Spicer spoke of, turns to this unstable gulf itself, and through the disturbances that mark it, explores a poetics that breaks from the crystalized structure of William Carlos Williams's \\\"The Red Wheelbarrow\\\" and diverges from the Modernism that preceded it.\",\"PeriodicalId\":44728,\"journal\":{\"name\":\"COLLEGE LITERATURE\",\"volume\":\"102 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COLLEGE LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/lit.2023.a908885\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COLLEGE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/lit.2023.a908885","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:杰克·斯派塞诗歌中的专有名词标志着不确定性和扩散性。这种不确定性不仅源于名称之间的分歧(有时是相同的名称)，还源于它们被用作“干扰”，加剧了现实之上已经无序的空间。这篇文章，为了寻找斯派塞所说的真实，转向了这个不稳定的鸿沟本身，并通过标志着它的混乱，探索了一种诗学，它打破了威廉·卡洛斯·威廉姆斯(William Carlos Williams)的《红色手推车》(the Red Wheelbarrow)的水晶结构，偏离了之前的现代主义。
The Space Between: Proper Names and Other Disturbances in Jack Spicer's Poetry
ABSTRACT: Proper names in Jack Spicer's poems mark areas of uncertainty, spreading. This uncertainty stems not only from the divide between the names (sometimes the same name), but also by their use as "disturbances," exacerbating this already disorderly space above the real. This article, in search of the real Spicer spoke of, turns to this unstable gulf itself, and through the disturbances that mark it, explores a poetics that breaks from the crystalized structure of William Carlos Williams's "The Red Wheelbarrow" and diverges from the Modernism that preceded it.
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