{"title":"以作者的教堂赞美诗和歌曲版本为例,介绍切尔姆地区的宗教和音乐传统","authors":"Włodzimierz Wołosiuk","doi":"10.15290/elpis.2023.25.10","DOIUrl":null,"url":null,"abstract":"The content of this article is a historical and theological review of the vocal Orthodox church tradition, considered in the context of the Chełm region. Due to its historical conditions, this region was open to a number of external influences, which became an important distinguishing feature of the local sacred works. Without doubts, the most important role in its promotion and creation played Father E. Witoszyński.","PeriodicalId":30709,"journal":{"name":"Elpis","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sakralno-muzyczne tradycje regionu chełmskiego na przykładzie autorskiej edycji hymnów i pieśni cerkiewnych\",\"authors\":\"Włodzimierz Wołosiuk\",\"doi\":\"10.15290/elpis.2023.25.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The content of this article is a historical and theological review of the vocal Orthodox church tradition, considered in the context of the Chełm region. Due to its historical conditions, this region was open to a number of external influences, which became an important distinguishing feature of the local sacred works. Without doubts, the most important role in its promotion and creation played Father E. Witoszyński.\",\"PeriodicalId\":30709,\"journal\":{\"name\":\"Elpis\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Elpis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15290/elpis.2023.25.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Elpis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15290/elpis.2023.25.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Sakralno-muzyczne tradycje regionu chełmskiego na przykładzie autorskiej edycji hymnów i pieśni cerkiewnych
The content of this article is a historical and theological review of the vocal Orthodox church tradition, considered in the context of the Chełm region. Due to its historical conditions, this region was open to a number of external influences, which became an important distinguishing feature of the local sacred works. Without doubts, the most important role in its promotion and creation played Father E. Witoszyński.