古代人如何学习和掌握世界(文化符号学解释)

Vadim Markovich Rozin
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引用次数: 0

摘要

本文从文化符号学的角度重构和解释了古代文化的形成,以及当时人们对我们意识的一些矛盾观念(对日食的理解、作为狩猎的婚姻关系、技术)。本文解释了文化方法,并提出了对符号学概念(符号、知识、方案、模型)的新解释,作为补充,确保了古老符号学的完整性。这个问题是关于古人如何认识和掌握他周围的世界和他自己,科学家们依靠什么资料来试图回答这个问题。事实证明,一个古代人对世界的认识和发展需要重建,这是一项非常艰巨的任务,因为古代思想的陌生性和不可理解性。方案是根据符号和知识来创建和运行的,模型与方案的区别在于:首先是对象的指定方式(方案设定自己的对象,模型假定被模拟对象的初步存在),其次是操作能力(模型允许你计算和预测方案不可能发生的事情)。在引入符号学概念的基础上,计划重建古代文化的形成,包括灵魂图式的发明,其延伸到自然和社会现象,对祭祀,日食,婚姻仪式的解释。总之,这一古老技术的神奇本质就是这样解释的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How archaic man learned and mastered the world (cultural-semiotic explanation)
The article presents a cultural-semiotic reconstruction and explanation of the formation of archaic culture and some paradoxical ideas of people of that time for our consciousness (understanding of the eclipse, marital relations as hunting, technology). The culturological approach is explained and a new interpretation of semiotic concepts (signs, knowledge, schemes, models) is proposed as complementary, ensuring the integrity of archaic semiosis. The question is raised about how the archaic man knew and mastered the world around him and himself, what sources scientists rely on in trying to answer this question. It turns out that the knowledge and development of the world by an archaic person needs to be reconstructed and this is a very difficult task, given the strangeness and incomprehensibility of archaic ideas. The author shows that schemes are created and function based on signs and knowledge, and models differ from schemes, firstly, by the way objects are specified (the scheme sets its own object, and the model assumes the preliminary existence of the simulated object), secondly, by operational capabilities (the model allows you to calculate and predict what is impossible for the scheme). On the basis of the introduced semiotic concepts, the reconstruction of the formation of archaic culture is planned, including the invention of the soul scheme, its extension to natural and social phenomena, the explanation of sacrifices, eclipses, marriage rituals. In conclusion, the magical nature of the archaic technique is explained in this way.
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